• Sunset Strip Takeover

    November 5 2014
    Somewhere in the sky between Newark, New Jersey, USA and Glasgow, Scotland

    May not have been planned perfectly but there’s something exciting about writing about the end of the first leg of the World On Fire tour as we slam into the next. I am currently on a United Airline flight heading to Glasgow to begin what will be our first trip over the pond in a too long. There is a great deal of expectation from both audience and band. I have been waiting for this a loooong time.

    As you’ve read (or you haven’t in which case you should go back and read earlier entries) we had done a few months touring around the US and Canada with America’s greatest rock band, Aerosmith which was incredibly rewarding. We wrapped all that up appearing on Howard Stern’s show which was beyond surreal to commemorate the official release of World On Fire. Having crashed New York City it was only fitting to go west and make just as big an impression. The decision made was to play not one, not two but three cd release shows in the great city of Los Angeles, California. Each venue as legendary as the next.

    First up-The Troubadour. This legendary spot was one of the main stomping grounds of the early days of Guns N Roses. There are a ton of great photos and some video from the pre Appetite For Destruction era on that very stage. I, for one, had never been inside the building. It had never come up as a destination in my adventures in the City of Angels. That said I was more than aware of it’s pedigree. John Lennon had been thrown out of The Troubadour. Look it up. Fact.

    There is something really special about playing these intimate venues. We have become very accustomed to and spoiled playing the size of venues we regularly play so the sweaty, intimate shows become very special indeed. There was very definitely a vibe that night at the Troubadour. It felt important. An important night for us. An important night for me. I had seen footage and photos of a thousand bands in that venue. It felt surreal to stare out at it’s wood decor realizing how little it has changed over the years.

    The show itself was pretty magical. The forced tightness of the stage plays into the tightness of the band’s performance. We are there in each other’s pocket’s and very nearly under one another’s feet but it created a solid wall of five guys focusing energy in every direction from the stage. There are nights that feel special. This was one.

    We played the newly added Bent To Fly that night. That song has become a real stand out in the set. It is a hit on the radio in Australia. Funny how that song really caught on over there. Especially considering that the rest of the world was playing World On Fire on the radio.

    There were some awesome guests in attendance. Upon making my way to our designated green room I was met by our pal, Clifton Collins Jr, the actor most recently seen in Pacific Rim and Johnny Depp’s Trancendence*** To my surprise Clifton had brought Mike Judge to the party. For those of you that read these ramblings you will know that I had first met Mr Judge on the Apocalyptic Love tour at the Wiltern Theater in LA. Mike, of course, is the creator and voices of Beavis and Butthead and the writer director of one of my favorite films, Office Space. He currently has the show Silicon Valley on the go but I haven’t had a chance to dig in. I hear good things though.

    It was weird to have Mike Judge say, “Hey, Todd.” Super surreal. It was great to catch up with both Mike and Clifton. Cliffy is doing a project with Shia LaBeouf at the moment though I don’t know too much about it. Cliffy is good people.

    Also in attendance were my friends from the Butcher Babies. They are starting to blow up in the metal community and have the great designation of being fronted by not one but two powerhouse female vocalists. Proud of that bunch. Doing great work.

    Between the Troubadour and the next show we did a photo shoot the legendary photographer, Robert John. Robert was at the scene of the crime during the GNR days. He has a long history with Slash. Google him. I’m sure some great stuff will come up. I like Robert’s work a lot. He did a great job.

    conspirators

    Next up we found ourselves at yet another legendary and very important venue, The Roxy. For the initiated you know that The Roxy was the site of the very first performance of Slash and Myles the band before we called ourselves The Conspirators. That was in April of 2010. Almost five years ago. Mind boggling to think about.

    I had also played at The Roxy in 1991 with my band, The Age Of Electric so this would be my third time on that stage in 23 years. Seems like a good ratio.
    This night was especially crazy because we were filming for a special live concert presentation for Direct TV which airs on November 7th.

    It was an elaborate camera set up making the Roxy super hot and uber distracting with all the cameras. It’s always this way with a live shoot. I barely register that there are cameras there because I’m usually so focused on the audience. We have a good time.

    I had a crowd of friends at that show who travelled from all over wearing mock ups of the ‘Conspirator’ shirt I wear on stage. Very, very cool. I love my friends. I’m always happy when they can make it out.
    There was an endless stream of famous faces at The Roxy that night staring with Gene Simmons and his kids, Nick and Sophie. Fitz and I both played with Nick Simmons at a cd release show for Bruce Kulick’s BK3. I didn’t get a chance to catch up with him and I regret that.
    Duff and his beautiful wife, Susan were in attendance, as well. So there I was with two of my favorite bass players watching! No pressure.

    Billy Duffy from The Cult was there and I’ve played with him a number of times. Got a chance to catch up briefly after. Great man. I will always be a fan of The Cult. That was an important band for me.
    Nuno Bettencourt from Extreme was there. That was surprise. Did you know he is Rhianna’s guitar player these days? It’s a fact. Look it up. He actually got in a little closer when Slash busted into the solo for Sweet Child O’ Mine. Guitar players are an awesome lot. Nuno is a bona fide guitar hero yet still he had to get a closer look at brother Slash. Good man, that Nuno.
    At one point I saw a familiar face smiling down at me from the VIP booth so I just smiled back and waved. I had to do a double take. The VIP is reserved for friends and family so at first glance I just assumed she was ‘one of ours’. I was surprised to find that the familiar face looking down at me was the actress, Leslie Mann from so many great movies like This Is 40, Knocked Up, 40 Year Old Virgin and on and on. She is married to Judd Apatow who either directs, produces, writes or all of the above on many projects. He was the mind behind the legendary Freaks And Geeks. He’s responsible for the likes of Seth Rogen and James Franco being who they are today.

    This was the show we premiered Automatic Overdrive from World On Fire for the first time live. For some reason I recollect playing it at The Troubadour as well but we have just rehearsed it at soundcheck. It’s all getting to be a bit of a blur.
    The show was a blast. It was Africa hot in there but it was really a good time. We went upstairs to On The Rox for a quick hang with friends and well wishers. That particular show will be airing on Direct TV November 7th. If you don’t have Direct TV I’m assuming it will soon surface in some other form shortly thereafter.

    The final show of the LA CD release shows was at yet another epic classic venue, The Whisky A Go Go. The Whisky, of course, is the site of so many legendary performances by everyone from the Doors to Van Halen to Zep to Jimi to Motley Crue and more. I had performed on that stage in 1991 with The Age Of Electric. The room really hasn’t changed that much. Some booths have been added at the back that weren’t there back then. There’s a bar off of stage left now as well that has been added since I played there but beyond that very much the same. The upstairs, where the dressing rooms are, has changed though I have little recollection of those days now. It was a very special night for us. After the heightened state of camera awareness at The Roxy it was nice to just focus on the crowd again. I always focus on the crowd. Photographers always complain that I don’t stand still long enough for them to capture a pic. I say I’m not there for photos I’m there to rock and rock with the audience. Anything less is sacrilege. The photogs get lots of good photos anyway.

    It was a really special night. It always feels good on the last night of a leg of touring knowing that you are celebrating a great run with your Rock N Roll family. My friends showed up in DAMMIT shirts that night and its always awesome to see friends representing. You have no idea how much I appreciate the support.

    I really tried at all three of the Sunset Strip shows to really take in the evening and try and remember that experience. I have to remind myself to do that more often. Time flies sooooo fast. I’ve already booked my flight to see my family for the holidays already. I’m flabbergasted that it’s that time of year already. Mind blowing.
    It was great to catch up with friends on all of these LA shows. The CD was released into the world and we had just come off an amazing run with Aerosmith. Life was pretty damned good if I do say so myself.

    I want to say thank you to all who came out and supported those three nights in LA as well as the CD release show in NYC the previous week. It was an immense pleasure to share the release of the album with you.

    Also thank you to all who came to support us on the Aerosmith run as well as all the SMK&C shows we did in between those dates. See you in 2015 brothers and sister of North America.

    November 6 2014
    Glasgow, Scotland
    I’m now sitting in my hotel room in the great city of Glasgow, Scotland. It is grey and rainy just the way I like it. A proper Scottish Autumn day. I tell myself to try and stay up through the day upon arrival over here but I was too beat. I awoke at 5pm Glasgow time. I’m going to be a vampire on this tour. I can tell already.

    As of the rehearsals we just came out of in North Hollywood, California we have 11 of the 17 songs from World On Fire ready to be performed. That is a high percentage considering how this is really the beginning of supporting the album. World On Fire wasn’t even released during the Aerosmith run. By the end of 2015 every single song off of World On Fire will have been performed live in one way or another. Just as every single song on Apocalyptic Love was performed in 2012/1013. That is almost unheard of in this day and age. I mean a guy like Slash could just show up and play Sweet Child O’ Mine and people would be happy but it is a testament to how strongly he feels about the most recent chapter of his career to be performing such a high volume of the new material. I wouldn’t have it any other way. The new music is too strong to ignore.
    Tomorrow night we begin the first World On Fire shows on UK soil. We spend the next month over here ending on my birthday in Iceland. Exciting times, my friends. Exciting times indeed.

    Reading Joe Perry’s book and very much enjoying it. It was an honor to be around this man for a few months. He is truly one of the coolest men on the planet. I will never be that cool no matter how hard I try. So I just don’t try.
    By the time this gets posted it might be November 7th. We are filming for MTV World Stage in Glasgow. Hopefully that will be shown the world over. I’ll let ya know when that becomes available for your eyes and ears.
    Looking forward to catching up with all my friends on this side of the pond. Playing some of the largest venues of the SMK&C chapter. This means a lot. It means we are growing. Our European family is too good to us.

    See you out there! Big love
    your loyal and humble servant
    Todd Dammit



  • Rock? Ruled! World? On Fire! Part I

    October 23 2014
    Hamilton, Ontario, Canada

    Yesterday a man died doing his job in Ottawa, Ontario, Canada. A man trained for battle but not for anything as cowardly as the act that would claim his life. How does anyone prepare for that? Sadly this stuff shouldn’t be happening anywhere. Especially in one of the most peaceful places in the world. Cpl Nathan Cirillo died today in some insane act of terrorism but accomplished nothing but taking a father from his child and a son from his family. The country still stands strong as ever with ever more determination and resolve in memory of a fallen soldier who had given his life to protect the rest of us.

    In a bizarre twist of fate I write this from Hamilton, Ontario the very city Nathan had once called home. It has been especially affecting to be so close to the story geographically. I could have been in Vegas or LA or Tokyo but by chance I am here and the grief is palpable. But it is grief supported by strength and purpose to look forward to a time when this kind of senselessness will be a thing of the past. When the inhabitants in this world can look past our differences and find comfort in our unavoidable similarities.

    I can only pass on condolences to Nathan’s family and thank Nathan for looking out for people like me so we may live the life we have.
    Thank you, Nathan. You will never be forgotten.

    What a nasty way to wrap an otherwise glorious trip to my Motherland. I have been to many stops like a Canadian Gypsy. I found myself in Vegas for two days before vanishing north. I have come to the realization that as of this month I have lived in Vegas for eight years. eight years is a long time. Especially considering I had no intention of staying upon my arrival. I came down to work with my friends, Kurt and D from the Underground Rebels. I had reached a fork in my road and it took me south. I told myself I’d stay till the holidays then make my way home. One thing led to another and you probably know how the rest goes. I found a new life for myself playing music with my friends. What more could I ask for? It was anything but an easy transition but nothing worth doing ever is. Shortly after my arrival I was off to Europe with Brent Muscat’s Faster Pussycat. I had never been to Europe until 2006. How could this be? All these years playing music and this was my first time. We came back and put together the Sin City Sinners which really sealed my long term Las Vegas plans. Life with Slash started almost five years ago now. Time has and continues to race by. I have a birthday coming then a new year will be on our calendars. We will be halfway through the decade they call the 2010s. Never had a ring to it did it? Neither did the 2000s. In just over five years from now we will be living in the ‘Twenties’. What a weird concept.

    I am thankful for all that has come my way these past eight years. It is unbelievable to me that this much time has passed. It will be ten years before I know it. That will be a landmark.
    Of course there is still so much to come…

    My blogs usually come much more succinctly but my gypsy ways get in the way of productivity sometimes. So much time has passed since I last checked in that the tour has ended, the album has been released and another tour is less than two weeks away. A tour to see some of my favorite people in the world. In the UK. In Europe. We have been woodshedding under the tutelage of the mighty Aerosmith. We come to you with blades sharpened and a lust for blood. Of the Rock And Roll kind anyway.

    Funny thing, the road. Looking back on our first show of 2014 at Hampton Beach July 9th it seems like a year ago and a week ago at the same time. I told myself at the beginning of the tour that it would be September before I knew it and sure enough I remember looking at my phone one day and seeing September 1. Midway through the tour everything seems to be moving at a pretty good rate. Not too fast. Able to take all of it in. Then BAM it’s 2 months later.
    I had every intention of doing a kind of wrap up blog when we ended the Let Rock Rule tour with Aerosmith but with the enormity of what is left this will be coming in two parts. Last time, I wrote my song by song guide to the new album, World On Fire. Hope you enjoyed.
    This one is gonna be a biggie. Get comfortable. You have been warned.

    When last I checked in I was in the Garden State getting ready to play the Prudential Center in Newark, New Jersey in support of the mighty Aerosmith. This was a very cool show. A lot of the New York City people came out for it making it even more of an event. A long list of people showed up. Everyone from Donald Trump to our pals from That Metal Show. I never saw Trump but I did spend a lot of time with Don Jamieson and, of course, Eddie Trunk. I hadn’t had a whole lot of time in the past to chat with Don so it was cool to get to hang. Jim Florentine was not there. Not sure what he was up to.
    For the rock nerd in me there were some exciting people. The amazing, Jack Douglas, producer of many Aerosmith records was on hand. He’s also done a myriad of other legendary work including Double Fantasy, John Lennon’s last album. That’s a big deal. He, of course, worked with Slash in the Snakepit days.
    Also there was Bob Gruen, the legendary New York photographer. He’s photographed everybody, Lennon, New York Dolls, KISS, Aerosmith etc. The man is a legend. These are the kinds of people I get excited about.
    Blasko from Ozzy’s band was there with some of the Black Veil Brides. Like I said it was one of those nights. I still have to ask myself what Donald Trump was doing there. I guess he either- A-knows Steven as a fellow reality TV competition guy or B-has good taste in music.
    Who knows?
    Newark was a great show. New Jersey, Michigan, Ohio, Utah, these are the states that are renowned for having very loyal rock fans. There’s lots of others too but I have always had a good time in Jersey.

    From there we were off to play the Fox Theater in the Foxwoods Casino in Mashantucket, Connecticut. This was one of our own 2 hour shows which is always a pleasure after rocking the one hour mini sets with Aerosmith. I know I’ve said it a thousand times but it’s always weird being in a casino when not in Vegas. For us Vegas folk casinos are just such a big part of our lifestyle that to see them anywhere else is a little bizarre. For a moment you feel like you’re at the Golden Gate downtown or maybe the Four Queens but no you’re somewhere in Connecticut. Very surreal. Our crew guys were floating through the casino like smoking and drinking ghosts throwing money in machine after machine. But, of course, that’s just what casinos are built for.
    I did an interview with Bass Player magazine while in Connecticut that should be in the January issue. Look for that.
    The show was a real blast. We powered through our two hours. It never feels that long. It cranks along. Good people in Connecticut.

    Our next show was in Bristow, Virginia back in the company of Aerosmith. It’s funny how tight the two camps had become on the tour. We really did enjoy the company of their crew. In the catering area there were not two divided camps. We sat together and enjoyed one another’s company. The Aerosmith crew would jam Aerosmith songs and we’d all be there to cheer them on. Frank jammed a couple times. They kept wanting me to sing but that never happened. Good buncha people.
    The show was a blast. After the show we got to meet producer, Michael ‘Elvis’ Baskette’s family and they were delightful. Elvis had told a story of how he and his brother had gotten Slash’s autograph when they were young. Elvis’ brother verified that tale. I’ll leave that story for him to tell at his leisure. Feel free to ask him all about it. He goes by the name of Elvis Liberace on Twitter. Tell him Todd Dammit sent you.
    The Bristow show was outstanding. It was always a bit sad having to get on the bus while Aerosmith was still playing. Driving off into the night to the strains of Walk This Wayyyyyyyy…

    Next up we found ourselves in one of the great Rock And Roll states, Michigan. Clarkston, Michigan to be exact. This was a big night. It was Joe Perry’s birthday. There is a true bond between Slash and the gang called Aerosmith. Slash and Joe have an especially close bond. Slash once purchased an invaluable guitar that once belonged to Joe. Joe parted with the guitar during hard times. For Joe’s 50th birthday Slash returned that guitar to him as a gift. I think that seals a bond that will never break.
    That night Slash joined the guys on stage again but this time a gigantic cake was wheeled out for Joe as well. It was awesome to be a part of such a special day. Slash is a kid in a candy store up there with his childhood heroes. It puts a big smile on my face to get to watch him live that dream again and again.
    Our set was amazing but I have to admit to a bittersweet melancholia creeping up on me as the tour was starting to close in on itself. We were kids at summer camp and we never wanted it to end.

    Now we was back the Motherland. Crossing the border into Canada for the third time of the tour. We immediately pulled the bus over and got our fill of Tim Horton’s coffee and donuts. Welcome to Canada!
    We spent the night in Toronto then flew on to Sydney, Nova Scotia. I’d never been to Sydney, Nova Scotia before. In fact, for a Canadian I really haven’t gotten back east nearly enough.
    Oddly enough We were flying into Nova Scotia on the 13th anniversary of 9/11. The strange thing is that on that actual day in 2001 I was eerily in eastern Canada. Moncton, New Brunswick to be exact. Not exactly a return to the scene of the crime but enough of a ‘too close for comfort’ coincidence for me. It is a heavy day no matter what. Never to be forgotten.
    Our final show of the Let Rock Rule 2014 AeroSlash tour was September 12th in Sydney, Nova Scotia. It was a both momentous and ‘just another day’ at the same time. I never saw any of the Aerosmith guys that day at all. I never got my chance to thank them for their courtesy, hospitality and the great reward of getting to watch them night after night. We played then they played and then we were gone. I got to watch them for a time from the side of the stage and I tried to drink as much down as I could of the experience. It has been one of the great joys of my life being able to be a part of this past summer with a band I have idolized all my life. I could die tomorrow and feel completely fulfilled. Though I say that at the end of almost every tour. At the end of almost every day.
    The Trews played earlier in the day and absolutely killed. I never got to say hi to any of the guys but John Angus, the guitar player, played with Fitz and I at one of our all Canadian music benefit shows in Winnipeg once. He is a monster of a player. I highly recommend you check them out.

    Looking back on the Let Rock Rule tour so much of it stands out. One day at soundcheck Brad Whitford was standing down on the floor in front of me watching us play. Being a cheeky bastard I threw Brad one of my guitar picks like he was an audience member. He feigned enthusiasm and ran to pick it up like the most highly invested fan. Part of me was thinking he was gonna punch me in the nose but he laughed and so did we.
    We got to spend some time as an apostle to the great Steven Tyler. He would just appear and commandeer the room. I’m not sure where he is at this moment but I know he is commandeering the room that he is in. He is one of the greats in the history of music. Not just Rock And Roll but music. Up there with Elvis and Lennon and Michael Jackson and Miles Davis or whoever your immortals are. Steven is a legend. 100% Getting to shake hands with Joe Perry here and there is more than a thrill. There is Keith Richards and then there is Joe. I am currently reading his book. I just can’t get enough of these guys.
    We had played with Brad once before back in 2011, I believe. He is the true gentleman and music fan of the bunch. Always at soundcheck. Always talking guitars. More than once in the catering room Brad came and sat at our table. This bunch of knuckleheads talking about Robocop (or something just as relevant) and suddenly Brad Whitford. That’s the kinda guy he is. Just a good dude. There is a lot to learn from Mr Whitford.
    It was great to be a part of watching Joey Kramer’s triumphant return to the stage after a two show sabbatical. I’ve read his book, too. Can’t knock him down. Lots to be learned there too.
    Tom Hamilton is one of my bass player heroes. He is untouchable in so many ways. He is rock solid and unflappable. A true honor to get to shake his hand and say hello. As much of an honor to get to be taken to school nightly watching him play.
    Ladies and gentlemen, America’s greatest Rock And Roll band-Aerosmith.
    Also-all original members. Think about that. Who else can say that?
    …and discuss…

    So then we were suddenly in New York City again. It was a repeat of 2012 where we played the record release party for Apocalyptic Love. two years later here we are with a new bouncing baby boy named World On Fire.
    With some time off in NYC our good friend and tour guide, Joe Fahmy, took us around to what seemed like every pizza joint in town. We even went out to Brooklyn for pizza. It’s NYC. Best pizza ever. It must be done.
    Frank had never been to the Dakota building before so we had to take him there. John Lennon was shot there almost 34 years ago. How shocking is that? It hardly seems that long ago. It’s a dark thing to take in but as a fan it is a must see. It was night by the time we got there and would have looked not unlike the night it happened. It’s an eerie and dark experience to be sure. We worked our way back to Central Park to look at Strawberry Fields as Frank had not seen that either. It is good to get as close to your heroes as you can. As a firm believer in the magic or music these are holy grounds for me.

    Our cd release show was to be aired live over Sirius radio. The show itself took place at Santos Party House. Our next four shows would all be on some of the smallest stages this band had ever performed. The cd release show was great fun. We played Bent To Fly from the new record for the first time and it came off strong. It really felt good. All in all I think the show went really well. I haven’t listened to the recording. I tend to not listen to recordings of what we’ve done. I tend to look forward not back. I think that’s good advice in most things, brothers and sisters.
    Of course that very day was September 15th, the day our new album, World On Fire was officially released. What better way to celebrate it’s birth than to play a Rock show?

    There was no time to celebrate too much as we had to be up beyond reason early to appear on Howard Stern’s show. To be honest when it first came up I assumed Slash was going to go in and do his usual rap with Howard. Then someone said, ‘No. You’re all going in and you’re going to play.’ That didn’t make any sense. It’s a radio station. There’s nowhere to set up and play. Sure enough that was exactly what was about to happen.
    Everything had happened so fast that there was little time to mentally prepare for Howard. Aerosmith, travel, cd release. I think we were all so mentally focused on being up that early, playing that early, being able to SING that early that I think the fact that we were going to be performing 5 feet from the ‘King Of All Media’ had kinda escaped us.
    That morning I dragged myself out of bed and as always was the first one downstairs in the lobby. Punctuality is key. Lesson two today. I was caffeinating heavily as we drove over to the station. I was so delirious that I still had no concept of the gravity of the situation. Suddenly we were being ushered into the green room and it all started to hit me. I’m a fan. I follow Howard. i recognize this green room and hallway from the videos I’ve watched of Howard.
    Then Gary Dell’Abate walked in and shit got real. ‘Wait a second. I’m at the Howard Stern show,’ my fatigued brain thought. Wow. This is for real. A quick hello from Gary with some prep then I made my way to the studio.
    As I walked into the studio Howard was speaking into his microphone. That’s what he does. He was actually on air as I walked by him. He waved at me like ‘Hey’. I waved back. What a trip. That’s Howard Stern and I’m in his dojo. He is the best in the world at what he does and I am on the bridge of his Enterprise.
    If you’ve not listened to our segment on the show you should. It is yet another beyond surreal moment in this career for me.

    First things first we are playing on rented gear. Always a crap shoot. On top of that we are playing at a comparatively low volume to how we play in our environment. There was the plexi glass shield around the drums to stop the bleed of the drums and cymbals into our microphones. Beyond that I couldn’t hear my voice at all. I was so wrapped up in the moment that I didn’t put my headphones on. Myles had his on so he could hear himself sing. Me? I was flying blind. I just started shouting and hoped for the best. I have played in Vegas for years in every type of circumstance. Before that I had played in every type of live set up imaginable. I am well prepared for any such situation. Rented gear and no monitors doesn’t faze me at all. Let’s do this!
    It was a blast to play. Howard was all smiles ear to ear as we were playing getting his own little private concert. We all know he loves Rock N Roll and that had to have been a blast for him.
    After we played Howard was very complimentary on many things including Myles and I singing together which was an exceptional thing to hear. It is rewarding when someone acknowledges your hard work. Especially someone like Howard.
    The interview was a blast and one for the history books. I did not expect Howard to speak to any of us directly so to hear Howard Stern’s voice say my name was beyond surreal. It was downright weird.
    It was an amazing experience as are most on the USS Conspirator. We took some pictures and exchanged a few words and then we were all on a plane to a couple days at home before the next chapter began.
    The Takeover Of Los Angeles!
    But I’m going to save that tale for my next blog. Expect it much sooner than it took for this one to come around.

    Brothers and sisters, The Walking Dead is back! Hell yes! Boardwalk Empire finale this Sunday. Double hell yes! It’s a great time to be alive!
    You should all read Questlove’s book, Mo’ Meta Blues. If you’re a music fan like me you will love it. That book has opened up a whole other world for me musically. I am enjoying digging into things beyond my comfort zone as a player. Things like funk, blues and even jazz. That’s right-Todd Dammit is diggin’ on jazz. Who knew? That’s the beautiful thing about music. It’s always growing and changing and if you can’t find anything new you like there is a wealth of music behind you to explore. It is a journey I have spent my life enjoying. Thanks Quest for showing me even more.
    Grab brother Joe Perry’s book. He is the pinnacle of cool!

    Stay tuned for Part II coming soon. Until then remember the things that are important. Hold on to the things that make you happy. Let go of the things that make you anything but. Love and be loved.

    Thank you, Nathan Cirillo. You will never be forgotten. Rest in peace, little brother.

    Big love, brothers and sisters.
    Your loyal and humble servant
    Todd Dammit



  • Todd Dammit’s Song By Song Guide To World On Fire

    September 20, 2014
    Las Vegas, NV

    I am certainly not the authoritative voice on the recording, producing, mixing, master and release of World On Fire. I am but one tiny cog in a much bigger wheel. This is just the reflections of a guy who was there…as best he can remember. Some of this will be illuminating, some redundant. Either way it’s how I saw it go down. Hope you get something out of it!
    Strap in!
    Horns up!
    PEACELOVEMETAL!

    1. World On Fire
    Woking title-I Wanna Pull Your Hair
    Slash came up with that working title. I always thought that title sounded like a more extreme I Wanna Hold Your Hand. Way more extreme!
    There were several riffs that we had jammed on the road. If memory serves me this was one of them. I immediately locked on to this one. It is a jaunty little ditty which is a fancy way of saying it rocks. It is the perfect song to open the record and the perfect song to carry the spirit of the album as the title track. If World On Fire were a country this would be it’s national anthem.
    All of the songs were rehearsed at Mates rehearsal studio in North Hollywood for several months before relocating to NRG which is about five minutes away from Mates. There we focused on drums and bass then went off to producer, Michael Elvis Baskette’s studio in Orlando, Florida. That’s where guitars and vocals were completed. The change of venue was fun. Never enough time to get too bored of any particular place.
    This song is a perfect example of what has become a very signature sound for our band not only with Slash’s guitar playing and Myles’ vocal but the harmonies we have gotten very comfortable crafting. I had initially gone in singing harmonies for the choruses on the title track then Elvis wanted to play with some call and answer type vocals in the chorus. Hence my tag vocal that follows Myles’ chorus vocal. It is an honor to get to sing with Myles. In my opinion he is the best modern rock singer on the planet. Our guitar player is pretty damned good too.
    This song rips and is an absolute pleasure to play live. I foresee it being a big part of the live set for years to come. We have been playing it since day one of the Let Rock Rule tour with Aerosmith and it has been euphoric watching people react to it.

    2. Shadow Life
    Working Title-You’re The Truth
    It’s funny looking at that title because whenever I went into the vocal booth to sing harmonies on a new song that was the first time I’d see the new title for that particular song. I distinctly remember saying how it sounded like a movie title.
    Shadow Life starring Nicolas Cage and Olvia Wilde. Just kidding. That film doesn’t exist…yet.
    This song is interesting because it began its life back on the Apocalyptic Love album as part of that album’s first single You’re A Lie. So, in jest, when we started working on this song again we used the working title You’re The Truth.
    The main riff of the original version of You’re A Lie was plucked out and replaced with it’s existing chorus. That left this very snaky, very Slashy (if you will) riff orphaned. We couldn’t let that happen.
    I remember it as one of the earliest riffs Slash, Fitz and I jammed in the earliest stages of the World On Fire writing sessions. This song was in a constant state of change even later when Elvis showed up. I remember playing a few different chord inversions of the chorus which eventually settled where it is.
    I came up with the broken up riff that makes up the verses. That comes together really effectively when played as tightly as we played it.
    It took a village to bring this song to life but it turned out great. It really is the sister song to You’re A Lie to me. I don’t know that anyone else would hear it that way.

    3. Automatic Overdrive
    Working Title-Manual Automation
    Not sure if the final title was at all inspired by the working title or not. Slash came up with the working title which I thought was pretty clever.
    This one starts with a tension building chugging that reminds me of The Who before going into the main part of the song. I was trying my best to channel Paul Simonon of The Clash on this song. Gene Simmons is in there a little too with the descending, walking bass in the pre choruses. Elvis caught that reference right away. We speak the same language, he and I.
    Slash is the king of coming up with great, catchy riffs. The above two songs are good examples of that as is this one.
    Fitzy came up with the idea to modulate at the end for the outro choruses. Definitely gives it a cool lift.
    How awesome is Myles’ bluesy vocal lilt at the end of the song? Damn that kid can sing.

    4. Wicked Stone
    Working Title-F# You
    Once I had finished the harmony vocals on this song Elvis and I listened back to it and I said, ‘If I had one song to play to someone from this album this would be the one.’
    If you’re lucky when you make an album there are moments when all the hairs on your arms go up. This song did that for me when I listened to it completed.
    I came up with the working title. The song is in the key of F# (or F sharp) and it was so aggressive it felt like a big middle finger. A big F You. Hence the title F# You.
    This song feels the most like it could have come off of Appetite For Destruction. It feels legitimately heavy, greasy and swampy in all the right ways.
    Before the album was ever released I was quoted as calling the album sleazy, aggressive and dangerous. This is one of the songs that made me say that. There were definitely songs that felt like they were written and performed to be played at the Whiskey A Go Go (oddly enough they will be next week). World On Fire, Stone Blind, Withered Delilah all feel this way to me. As does Wicked Stone.
    In many ways I felt it should have been a single but I think it may stand to be like a Rocket Queen where it is one of the most important songs on the album but not relegated to a radio friendly status. That’s fine.
    Oddly enough in the chorus I found myself playing 16th notes on the bass like Peter Hook from Joy Division and New Order, one of my left field influences. Adam from U2 does this a lot too. Those may be bizarre references for a song like this but it’s funny where you find inspiration in the heat of the moment.
    Brent Fitz absolutely kills the little turn around after the second chorus before the breakdown into the bridge. Fitz has chops galore but rarely breaks them out. He’s gotta be proud of that one. He always does an amazing job of servicing the song.
    I knew the first time I heard Slash play the main riff to this song that it was going to be a monster and it is. It remains my favorite song on the album by a very narrow margin.
    Any of you lucky enough to be attending any of the Sunset Strip takeover shows next week might just get a chance to hear some new songs live. For the first time ever. On the stages that inspired this album in my opinion.
    This song was intended to be the only fade out but Slash’s soloing at the end was so great that we just ended it properly. I’m glad we did.

    5. 30 Years To Life
    Working Title-Fast Gee Rocks
    Another Slash working title. The song is in the key of G and it’s fast AND it rocks.
    This song was originally up tempo from the top before Elvis came along and we started experimenting with the slide guitar, half time intro section. I wasn’t sure how I felt about that addition until Myles put his vocal on it. I think it really adds to the song now. You have to trust the people you are working with. Sometimes they can see the bigger picture better than you can when you’ve been immersed in it for so long.
    This song as much as any other is a good example of the raucous bass tone we were going for. The second verse is just Myles’ voice, a kick drum and the bass. You can hear how gnarly the bass is. We were truly inspired by the great one himself on this album, Lemmy. The tone is the most aggressive I’ve ever had.
    I have to admit that I was drawing on a little Paul Simonon from the Clash on this one too. I’m a huge Clash fan but was going through a serious resurgence around the time of this recording. There is a certain punky pulse that I think carries that aesthetic through the heart of this song.
    We’ve been playing this song at our own shows between the Let Rock Rule dates opening for Aerosmith and it’s been awesome laying new music on people.

    6. Bent To Fly
    Working Title-NoHo Blues
    Another Slash working title. The entire birth of the album was in North Hollywood, California hence the title NoHo (North Hollywood) Blues. Blues I guess cuz it’s kind of a bluesy number.
    This song happened very fast. I don’t remember making too many changes from the first time we put it together.
    This song is challenging for me to play and sing at the same time. Often the harmony vocals come up after the fact so one isn’t thinking about how to play and sing it months down the line. As a bass player/vocalist I got pretty good at being able to play parts and sing vocals that aren’t necessarily in tandem with one another. The chorus in this song is the proverbial patting my head and rubbing my stomach at the same time. I like a challenge though.
    We played this song for the first time ever on September 16 2014 at the cd release party at Santos Party Haus in New York City. It was aired by Sirius radio. You can find it on Youtube. So far we’ve only played this song once on stage. I look forward to doing so again and again.

    7. Stone Blind
    Working Title-Cheap Thrills
    I haven’t a clue where that working title came from. I’m not sure if Slash was referencing Cheap Trick at all when he started calling it that. I’ll have to ask him some time…
    This is another one of those songs that I felt like we should be playing in the clubs in the underbelly of Hollywood. The initial riff carried the whole song in it’s original form. One day Slash walked in and had the verses move up from the main riff in the key of A to B which created an interesting urgency before working our way back to A for the choruses.
    Great Gene Simmons bass slide at the halfway point in verse 2. Pretty proud of that one.
    We’ve been playing this baby on the road for the last 2 months before the album was released. It cooks.

    8. Too Far Gone
    Working Title-Presents
    I came up with that working title when Slash asked what we should call this one. I said, ‘It sounds like sometime off of Presence’ The Led Zeppelin album. We wrote the homonym and it stuck for the interim.
    Great Zeppeliny riff and intro off the top. The pausing intro giving it just a hint of 2112.
    The verses for me on this song lends to a reoccurring Bob Daisley reference for me. Bob was the bass player on Blizzard Of Ozz and Diary Of A Madman by (do I even have to say it?) Ozzy Osbourne. He also plays on Bark At The Moon but the first two albums are always my reference points. As it turns out Elvis is also a massive fan of Bob’s parts as well. Elvis is a huge Randy Rhoads era Ozzy fan. Who isn’t? Those albums are genius. On Apocalyptic Love there are all kinds of Daisley influenced bass lines as well.
    I suppose Gene Simmons’ influence could be there in those walking bass lines in the verses but Daisley was my touchstone.
    I really dig the breakdown in this song after the second chorus before the solo.
    Myles really built a great chorus for this song. That kid’s got skills.

    9. Beneath The Savage Sun
    Working Title-Elephantosaurus
    Working title by Slash. The riff sounds like the marching of gigantic prehistoric elephant like creature.
    My bass line is pounding in the verses while Slash plays that dark, dirty Aerosmithy riff. Great Gene Simmons bass slides in this song. In fact one opens the song.
    The up tempo riffs later almost nods to Metallica a little. Especially at the end. A little double kick drum by Mr Fitz in there.
    The second verse is rad when we all just hit that E chord over and over pulsing. Initially that was just me pulsing but Elvis thought it would be effective to all do it off the top of that 2nd verse. He was right. He often is.
    The middle section is one of those epic Slash moments. There are certain songs you just know are gonna be classic once you hear a certain section. Anastasia from the last album was like that and this song is another. Slash’s guitar playing on this song is testament to a man who has nothing to prove yet continues to grow and grow and grow as a player. This song shows why he is my favorite guitar player on the planet.
    Again that Metallica-esque ending coulda went on for another 5 minutes if it were up to me.

    10. Withered Delilah
    Working title-Severe Road Riff
    Great working title from Slash. It is certainly severe.
    Another riff that was jammed on the road at sound checks that grew and grew to the monster it is. These kinds of riffs just fall out of Slash. Legendary, killer, classic riffs. His forte, really.
    This is another Bob Daisley bass song for me. Somewhere between I Don’t Know and Crazy Train verse bass lines. Elvis pushed for even more of that business for the pre choruses. If you listen close you can hear me getting up there on the neck.
    The big riff is a little classic rock and a little Rage Against The Machine to me. That’s at least where it was coming from for me.
    In the bridge Myles and I sing together and it is so super classic KISS or something. It is one of my favorite moments on the record. That guy is always a pleasure to sing with. I can’t say that enough.
    This is another song that smells like cigarettes and stale beer in a dark Hollywood club.

    11. Battleground
    Working title-Gardener Street
    Gardener Street is a street in LA. I have no idea where that came from but that’s what Slash called it.
    Probably one of the biggest departures on the record but still very much in the same cannon as the rest of World On Fire. Myles does an extraordinary job on songs like this. He has a versatility that most singers dream of. I know I do.
    This song stayed pretty much to the arrangement you hear on the final version except for the outro that Myles came up with which we added choosing to forego doing another chorus. It really creates an epic Hey Jude type of euphoria at the end.
    We really had a lot of fun coming up with almost Jimi Hendrix type rolling riffs over top of the outro as it built.
    One of Slash’s most hair raising solos since November Rain.

    12. Dirty Girl
    Working title-Dirty Girl
    That’s right. As far as I remember this song was always called Dirty Girl. We had worked on a version of this song for Apocalyptic Love but couldn’t get it to feel right.
    This song not only sounds like the underbelly of Hollywood it sounds like a whole other type of club in that underbelly. We did the photo shoot for the album at a notorious place called Jumbo’s Clown Room, a kitschy little strip club in Hollywood and this song is the inspiration for that and vice versa.
    Myles tells me this song is about webcam girls. That’s a very 21st century take on the ladies of the sex industry.
    Fitz locks in that Joey Kramer booty shakin’ groove off the top and it just gets naughtier groove wise from there.
    It took a bit of work to get this song in shape. To be honest I believe we had almost let go of it a few times. I remember Elvis really championing it and rallying the troops to take another swing at it. Once we locked into the right groove it all made sense. It would have been a real shame to have let this one get away.

    13. Iris Of The Storm
    Working Title-Rhapsody In B
    A Slash working title that refers to the opening key of the song. We start with that hypnotizing guitar line in the key of B. Often the keys of the song are in the working titles to differentiate them from the others and to remind us what key it’s in.
    Another amazing Myles performance. I love the harmonies on the B part of the verses. Very unexpected and unusual. Elvis and I worked very hard on those.
    The bridge is so cool. Descending Kashmir-esque line. We really fought with that part to get it right. I’m speaking of the section before the solo. Coulda made a whole other song outta that riff.
    The solo section is surprisingly gnarly for such a initially pretty song. Coulda made a whole other song outta the riff we are playing under the solo too. Great.
    There is a second bridge that happens after the solo that is almost Queen-esque with a touch of The Who.
    Elvis puts that great sweeping phaser over the whole mix at the end of the song like it’s something off of Electric Ladyland. Awesome. Elvis manages to speak the same language that we do.

    14. Avalon
    Working title-Guinness Stomp
    Slash dubbed it this as it felt like a Celtic party song in instrumental form.
    This song really surprised me. At first I didn’t take it all that seriously because it was so simplistic and crazy. As we jammed it more and more it started to come together. Then, of course, Myles did what he do on top of it all and it turned out to be a surprisingly standout track.
    It’s brief and full of boundless energy. A little Zeppeliny and for me a little Iron Maiden (but that’s probably just for me).
    Myles and I sing the choruses with all we got. Myles really brought this song to life.

    15. The Dissident
    Working Title-It Puts The Lotion On Its Skynyrd Slash just casually asked, ‘ok Todd. What do we call this one?’ Without hesitation I said, ‘It Puts The Lotion On Its Skynyrd’ I have no idea where that came from. Of course it’s a play on Buffalo Bill’s line ‘It puts the lotion on its skin’ from Silence Of The Lambs. I must have found something in the song that reminded me of Lynyrd Skynyrd.
    This is another song that really jumped out and surprised the hell out of me. You can never judge a song until it is in its final form. I never knew how I felt about it until I was singing harmonies to it.
    This is another example of when I didn’t know what title Myles had come up with until I walked into the vocal booth to sing my harmonies. Myles had chosen his own working title, Conscientious Objector, which inspired some of the most fun on the record. While singing harmonies once in a while I’d pick up an acoustic guitar that was just sitting there and I’d make up songs to make Elvis and engineer, Jef Moll, laugh. Usually based on the titles or lyrics of the songs I was singing. That’s exactly what happened at the beginning of this song. I saw the working title Conscientious Objector and I started singing a silly song right there and then rhyming tractor with objector. Jef did some digital magic to make me sound like I was on helium and made it all scratchy like it was an old 78” record and that’s what you’re hearing at the beginning of the song.
    This song feels like the sister song to We Will Roam from Apocalyptic Love to me. Another song that is a pleasure to sing with Myles.
    There’s a little pre chorus that Fitz plays on the snare drum that always reminds me of the intro to King Of The Nighttime World by KISS. Fitz plays his ass off on this record.
    I can already hear the South American audiences singing the whoooaaaahhh chorus at full volume. Mark my words that’s coming.
    The bridge is another great vocal harmony moment. Really turned out great. Gonna be fun and challenging to do live but I’m always up for a challenge.
    Great Slash solo. Very melodic moving in and out of major and minor.
    This song will have a whole new life in front of the more vocal audiences around the world. Mark my words.

    16. Safari Inn
    Working title-Safari Inn
    There is a hotel in Burbank, California called the Safari Inn that we would drive by. I think it’s no coincidence that title made it’s way onto the album.
    This one started with a much more structured arrangement until it was decided to be an instrumental rather than to put a vocal on it. I believe Slash had every intention of saving this song as a bonus for some international release but he made the bold decision to release every song on one album. Bold and wise.
    Slash plays his ass off on this song. Proving again and again why he is the best. It sounds like a perfect soundtrack song.

    17. The Unholy
    Working title-Music To Murder Your Girlfriend By I had suggested it sounded like ‘music to murder your family to’ as it sounded so scary but Slash changed it to girlfriend. Horror movie style.
    As it turned out Myles’ subject matter was just as dark as our campy horror movie title could possibly invoke but I’l leave him to enlighten.
    This has a dark early Alice Cooper vibe to it. When Slash first started playing it it sounded so dark and disjointed I never would have guessed Myles could put a melody to it but he once again proved me wrong and pulled this gem out of the ether.
    There’s a little I Want You by the Beatles style in the ending refrain for me. I was definitely channeling some of that Paul McCartney style on this one.
    At the end of the song I built some 3 part harmonies to work around the melody. We wouldn’t normally go there but for a song like this it seemed there were no limits to what we could do. I think this is a very important song in the catalogue.

    There you go. Just some thoughts on the 17 songs that make up the World On Fire album. Hope you are enjoying listening as much as we enjoyed making.
    Next stop-Hollywood, California. Three times!
    See you…OUT THERE!
    Big love,
    Your loyal and humble servant,
    Todd Dammit



  • Let Rock Rule-The Home Stretch

    Secaucus, New Jersey
    September 2nd 2014

    A day off in Jersey. Gotta love it. Just took myself to see Jon Favreau’s beautiful film, Chef. Great low budget affair with a lot of heart. Great cast. Favreau and John Leguizamo carry most of the film but the spicy, Sofia Vergara was ever present as well. Lots of great cameos from the likes of Oliver Platt, Dustin Hoffman and even Favreau’s Iron Man compatriot, Robert Downy Jr. Favreau took a big risk on hiring proven handful, Downey, for Iron Man (Favreau also directed Iron Man 2) which essentially kickstarted the whole Marvel empire film franchise that is growing to this day.
    Like most people I first found Favreau in Swingers with Vince Vaughn. That movie is one of my all time faves and I’ve seen it countless times. Jon even directed the Will Ferrell gem, Elf.
    It was cool to see Canadian comedian, Russell Peters have a cameo in Chef. Home team.
    It’s a tiny little feel good movie with a great little message to it. Check it out.

    It’s been a couple of weeks since I last checked in. We were just on our way into the country of my birth, Canada, when I last wrote. It was all too brief. Wayyyyyy too brief, in fact. I had so many people I should have seen but had to cut it all down to just my family which is far from a consolation.
    The show was a blast in the only recently opened Hard Rock Casino out there in Coquitlam. Always good to dig into the two hour leviathan of a set we unleash when not under the thumb of Aerosmith.
    This was the first night we did It’s So Easy which was in fact in preparation for the following night in which an old friend was going to be joining us on stage for that song. It was fun to do It’s So Easy with Myles. He had not done it before. I’ve been playing that song as long as Appetite For Destruction has been released in one form or another. On vocals, guitar or bass.
    All in all I think we killed in Vancouver. It will be nice to come back and do it all over again on our own tour probably in the new year.

    From there we were crossing the border for the second time in 24 hours from Vancouver, Canada to the Gorge in Washington state to meet back up with Aerosmith on the Let Rock Rule tour. The Gorge is stunning. Looks like an incredible movie set or perhaps a breathtaking visual effect by Industrial Light and Magic but no it’s all Mother nature’s doing. Amazing.
    And the old friend to be joining us on stage as mentioned above? None other than the amazing, Duff McKagan of the original five. Duff is such an amazing dude. He is one of the most gracious people I know. He’s a real, genuine guy. His wife, Suzan is one of the most beautiful souls imaginable. Physically beautiful, yes, but just a glowing, warm spirit beyond the visual. They are an inspiration to behold. This love things seems really workable by their example.
    Duff got up and tore the roof off the place with us doing It’s So Easy from Appetite. Anyone in the know is aware that Duff is singing the high part of the verse while Axl is singing the baritone. We had a blast. I got to play some guitar with the guys. Too much fun.
    The Gorge was on my bucket list. While living in Vancouver I’d heard so much about it but never got there till Let Rock Rule. Truly worth the wait.
    Aerosmith did their first show of the Let Rock Rule tour without Joey Kramer who had left the tour to have a stint put into his heart. His son, Jesse, sat in for his father and did an admirable job covering the parts. I kept thinking how weird that would be. The other guys would have known Jesse since he was a baby. I suppose it’s not unlike the Zeppelin guys playing with Jason Bonham. It was awesome to get to see the band in such unique circumstances. As always they brought it.

    The next day was a travel day off in Bozeman, Montana where we got to go to the Gibson acoustic guitar factory. Jeremy took us on a tour of the whole facility seeing how the whole thing comes together. It was a Sunday so the factory was closed which made it kinda even more awesome being our own private tour. These are the kinds of things I have to remind myself not to take for granted. There was a time when this would have felt like touring Willy Wonka’s. It was a real treat and honor getting to take it all in. As an owner of multiple Gibson guitars it’s always a trip.

    That night I went with Slash, Cheryl and Junior to see the new Teenage Mutant Ninja Turtles movie as part of Junior’s early birthday celebrating. During the previews they played the new Spongebob movie trailer where lo and behold in the middle of it who should appear but Slash playing guitar on the beach. All this to the throes of Welcome To The Jungle raging on the soundtrack. Junior and I just looked at each other and started laughing. Here we are in a theater full of people sitting with the guy who is on the big screen, playing guitar on the song they are hearing and they are completely unaware. So surreal.
    This is life on Planet Slash.
    Cut and paste this and you’ll see for yourself-

    The movie was fun. I certainly can’t imagine what anyone could expect. Everything to expect from the film is within it’s title. They are Turtles. They are teenagers. They are trained ninjas who have been mutated to human size. Rinse repeat. Green light. Junior and I had a laugh.

    So then there we were in Denver, Colorado for our first indoor show of the Aerosmith shows. Everything up to that point had been some kind of outdoor, open shed except for our own shows. The setting in Denver is the Pepsi Center which is home to the Colorado Avalanche. Even though I don’t follow hockey religiously it is still a trip to see the hockey presence in the US. It has always been such a uniquely Canadian experience for me but there from the stage hangs the Canadian flag right along side Old Glory. That’s a pretty awesome sight if you ask me. I’m proud to be where I’m from and I’m proud to be where I am.
    There were a few signs in the audience dedicated to yours truly which is a surreal experience I can assure you. I will never get accustomed to that. Denver seems a gazillion miles from the reality of where I grew up but it reminds me how small our planet is and how unifying the power of Rock N Roll can be! Thank you to those who showed their love.
    Our set there was awesome. It’s always a blast playing in hockey arenas. They always remind me of running full tilt to stand in front of KISS or any number of other bands when I was a kid. I never take that for granted.
    Joey Kramer actually came and played the encore with Aerosmith that night making him in actuality only missing 3 shows (Concord, the Gorge and Denver) in the face of such a serious situation. Though he has since bounced back in full swing I can’t imagine tampering with the heart could be a minor thing. I’m just glad to see him back and at full strength. I told him the same thing when I saw him upon his return.

    In Dallas we saw Sin City: A Dame To Kill For which I had been highly anticipating. I get a little concerned when I am looking too forward to a movie. Sometimes it can’t help but disappoint. I’m not only a huge fan of the original Sin City film but I am also a huge fan of the director, Robert Rodriguez. Not to mention writer and co-director Frank Miller.
    The sequel does not disappoint. Familiar faces, new faces and that classic look that I loved so much from the first film. Mickey Rourke, Jessica Alba, Bruce Willis, Powers Booth and Rosario Dawson all return from the first one plus the addition of new arrivals Joseph Gordon-Levitt, Josh Brolin and even Dennis Haysbert, or as most of us know him-the All State guy.
    I’m looking forward to seeing that again.

    The Dallas show was awesome. Another hockey arena. Another Canadian flag hanging from the ceiling right above me. Feels like home. We had a blast.
    This was Joey Kramer’s full return to the Let Rock Rule tour. It is a pleasure getting to watch the great Aerosmith night after night and we do take full advantage of that privilege. That privilege is diminishing by the day so I’m trying to get my fill.
    The great city of Dallas is a pleasure to visit and play. See you in 2015!

    Then off to Houston. You always forget how big Texas is until you are driving through it. It is seemingly endless. Our hotel was attached to another abandoned mall which always reminds me of Dawn Of The Dead. If you understand that reference we can hang out. Some people don’t know what the hell I’m talking about when I say that. I call those people ‘uninformed’. If you’re not hip to it I highly recommend you get down with said film. The remake is great too.
    It seemed for a stretch there our hotels were all connected to malls so we found ourselves forever wandering them. We dubbed that portion the ‘Tiffany Tour’.
    We played the Cynthia Woods Mitchell Pavillion, Woodlands, Texas. Was a great night. It’s been great watching World On Fire become a key part of our set right up there with Sweet Child O’ Mine and Paradise City. That’s a good feeling.

    Around this time there was a very convincing post about a 6th season of Breaking Bad which I was suspicious about but had to retweet. I thought that would be a terrible mistake as it had ended so beautifully but I’m a fan and would have welcomed those characters back with open arms. Turned out to be completely untrue so my initial take stays undisturbed. It’s ending will remain beautiful.

    The other announcement was that my new hometown of Las Vegas may be getting it’s own NHL hockey team. That is very exciting. It would be great for the city of Las Vegas and great for the game of hockey. I’d love to go support whatever that team might be. Could suddenly feel very much like home. We’ll see though…

    Next up was Atlanta where Steven Tyler shaved off his facial hair he’s been sporting this entire tour. I had grown so accustomed to it that it took me a second to figure out what was different about him. We run into Steven in elevators sometimes with his dogs and all and it’s never a dull moment. The man is larger than the largest life. He’s always witty and quick.

    All this time before Atlanta we were excited as we had heard that some of the cast of the Walking Dead would be joining us at the show. Norman Reedus at the very least but then when it all went down they ran late and couldn’t make it to the show. Damn. That woulda been a trip. I’m so stoked for the new season I’m on pins and needles.

    Atlanta was another amazing show. Hockey arena. Canadian flag. All the good stuff.
    We alter our set night for night. Sometimes you’ll get Mr Brownstone. Sometimes you’ll get Halo. Sometimes you’ll get Standing In The Sun. Sometimes By The Sword. Just depends which box of chocolates of ROCK you open.
    Atlants got Halo and By The Sword in amongst the rest of our set.
    See you in 2015, Atlanta.

    If it feels like it was high time for a headlining show you got that right. Which way to Hollywood, Florida? We got to burn down the Hard Rock for 2 hours in Hollywood East with a cast of friends who came out of the woodwork including Eddie Trunk who was hosting the night as well as introducing us before our set. Always good to hang with Mr Trunk. Stories stories stories. Laughs laughs laughs. Good times.
    Matt from Trivium came out. I’d not met him before. A nicer guy there could not be. Such a great band. Looking forward to crossing paths with him again.
    World On Fire family was in the house too. Producer of the album, Michael ‘Elvis’ Baskette and engineer, Jef Moll were on hand for the evening’s festivities. Assistant engineer, Kevin was along as well.
    Last minute addition of Out Ta Get Me from Appetite to that nighs set was imminent and we tore that one up. I threw the mic stand in a fit of rock fever that may or may not have scared the Hell out of the nice people of Hollywood East. These little voices in my head tell me to break things. In Static In Stereo we had a saying-
    If it ain’t broke-break it.
    We broke everything. In the Conspirators I try to keep such voices at bay but once in a while they come out and cannot be silenced. If the odd microphone or guitar need be sacrificed then so be it for the greater good of Rock N Roll.
    Great show. Sorry microphone.

    From there we were on to Sin City East, Atlantic City. I’ve always enjoyed AC for it’s bizarre familiarity to Las Vegas. There are casinos with the same names and everything seems familiar yet strange. Like a Bizzaro Vegas, really. I get a kick out of that.
    The show was a great deal of fun. People keep telling me I look like I’m having fun up there. I’m not acting. I really am having the time of my life. You should try it some time.
    Our pal, Jimmy Webb from Trash and Vaudeville came for a hang as well as fellow Canadian, Matt Wexler who will be with us for the better part of a week.
    Aerosmith were devastatingly good that night. Steven is on fire. I think he really might be at the peak of his ability. This late in the game that is beyond impressive.

    From there we landed where I am now-Secaucus, New Jersey. Yesterday the Conspirators took a trip into New York City, one of my favorite places on the planet. Anyone who knows me knows that.
    Here’s the crazy thing. We decided to take a bus from Secausus into the Port Authority there in the heart of Manhattan. Easy enough, right? So once exiting the bus which was a fun ride with Mark Kuntz, drum tech and Matt Wexler, Canadian compatriot along for the ride we made our way out to the street right across from the New York Times building. Cool. I gotta take a picture of that. I…hang on…where? Oh boy. I left my phone on the bus.
    Great.
    So there was a harried panic that went on for the better part of 30 minutes while we ran from customer service to gate to attendant to other gate from bus to bus. Fitz, ever the efficient boy scout used the ‘find your phone’ app and we learned it was somewhere in the building. Then after running from floor to floor Fitz just walked onto a bus and walked right back out with my phone.
    Thank you to Mark Kuntz for being the grown up there to sort that all out. Thank you to Brent Fitz for ultimately locating my damned phone. It takes a village…to find a phone left behind by an absent minded fool.
    Wow. What a way to start my trip to the greatest city in the world. From total drag to utter euphoria. I was already making peace with the idea that maybe I didn’t need that damn phone anyway but in retrospect it’s always good to have it back.
    With phone retrieved we ran the length of Manhattan a thousand times over as we usually do. We went to Lombardis which is apparently NYC’s oldest pizzeria. Who knew? Delicious!
    Along the way we had to visit CBGB’s (I have a hard time calling it John Varvattos. Sorry, John) at 315 Bowery street. As I’ve mentioned a thousand times I played there back in the early 90s. Fitz has played there and so has Myles. It was a right of passage in those days. I never, ever thought it would close but it has been for some time now. Very surreal to walk through that store knowing what it once was. Let’s just pray the Whiskey A Go Go doesn’t turn into an Urban Outfitters someday or the Roxy a Gap. Shudder…
    We got our pal, Joe Fahmy, to take some pix of us by the pole where the Ramones were posed back in the day. I do that same photo almost every time I’m there but this time it was just the Conspirators so I went home and made this.

    ramones

    New York City is hallowed ground for me. I only wish I’d been born 20 years earlier in Queens. Though all the original Ramones are gone they live on in my heart and this photo is a sign of my love and respect.
    Hey Ho Let’s Go Forever

    We went by Trash and Vaudeville and loitered for the better part of the day distracting Jimmy from his work. We are jerks. Always an utter joy to see Jimmy. The man is a glowing ball of positivity. Next time you’re in NYC go to St Marks and see Jimmy at Trash and Vaudeville. Tell him Todd Dammit sentcha. I know some of you have done that. He’s told me. I think that’s the most awesome thing ever.
    So then after eating, eating and eating then drinking coffee, coffee and even more coffee we hobbled back to our little safe haven in Jersey.
    Which leads us to today. I saw a movie and then joined Slash and crew on the buses for our driver, Chris’, barbecue. Funny ol’ world, innit?
    And tonight? Well, none other than Eddie Trunk will be here to do a quick podcast with Slash then I believe it will be hang and talk rock time with his pal, Todd Dammit.

    Speaking of music nerds (no offense, Eddie, though I think he’s more than comfortable with that handle. As am I) Ive been reading Questlove’s book, Mo’ Meta Blues and it is amazing. For those in the know Questlove, or ?uestlove, is the incredible drummer for the Roots. You would know them as Jimmy Fallon’s house band previously on Late Night now on the Tonight Show. The Roots, of course, had been around for years prior to ever being NBC employees.
    I have to acquiesce to Quest’s knowledge on all things music. He leaves the likes of me and Eddie in the dust. His knowledge is sprawling, sweeping and wide spread. From rock to pop to funk to soul to hip hop and all points in between. Not only that but he was hip to rock journalists and all. I certainly was hip to the ones I was told to be hip to- Lester Bangs, Ben Fong-Torres, even a young Cameron Crowe but nothing like what Quest retained. Later on I became enamored with Chuck Klosterman when he wrote for Spin before he went on to write some of my favorite novels. I like David Fricke from Rolling Stone very much as well as Peter Travers, the movie guy. Quest makes me look like an amateur.
    We met Quest and the Roots when we did Jimmy Fallon’s show when he was still at Late Night. What a trip that experience was. Frank and I saw Quest just walking down the hallway and he was super friendly and super cool. Those guys sure love Slash. Slash has sat in with them a number of times. After we played on the show Quest brought his drumsticks over and asked us to sign them for him. Frank brought them to me telling me this story. I looked at him questioningly like, ‘Seriously? Quest wants more than just Slash to sign these?’ He did so I did. That stayed with me. What an amazing guy. He loves music so much that he’s obviously been documenting every musical guest that’s been on the show. I think that’s amazing.
    I highly recommend his book if you are as much of a music lover as I am. I’m an even bigger fan of Questlove and the Roots than I was because of it.
    I can’t imagine how much deeper my experience of music would have been had I grown up in Philly or NYC or Detroit. Not just rock but soul, funk, R&B eventually hip hop. Growing up where I did these things just didn’t exist. I mean they did but we were largely unaware. Obviously things like Thriller opened a whole world to R&B and dance music that may not have translated prior. Michael did that as James had before him. Stevie and every other Motown artist in history were part of that.
    The book has inspired me to take a closer look at those things I’m only familiar with. I’ve been on a Motown kick for a long time now so this has me digging deeper. Quest mentions an act and I Spotify it right away. It has really opened up a whole other side of things for me. That’s the exciting thing about music. That journey never really ends.

    I find the news so depressing lately. There are such terrible things going on in the world. I changed my Facebook settings so it won’t just play video unless prompted. People post the most heinous things that will ruin your day if you look at them. It’s hard to remind yourself how wonderful the world can be or what limitless potential we humans can have when you watch bullies beating handicapped children or ISIS shooting defenceless people on the street or adults beating children or humans beating animals.
    Kindness. Compassion. These are the things I strive for. I personally continue to strive towards things like honor, nobility. Big words with even bigger meaning.
    There is no me. There is no you. There is US. The sooner we all understand that the sooner those bigs are more easily understood.

    I just took a break from writing this to sit in the hotel restaurant and talk music with Eddie Trunk for about three hours. It’s not easy to just do that with anyone. When you find someone who can hang like that you make the most of it. Ed is a good man and a good friend. He will be at our show in Newark tomorrow. The conversation continues.
    Tonight’s topics-
    Why is Deep Purple not in the Rock and Roll Hall of Fame? When they DO get inducted which members will be included?
    This same discussion happened about Foreigner and Journey as well.
    Plenty about KISS, Aerosmith, Cheap Trick, AC/DC (the big 4).
    Best singer for Rainbow? Slash prefers Graham Bonnet. Controversial answer maybe but bold.
    This and more will continue tomorrow.

    The Let Rock Rule tour is ending soon. I told myself it would be September before I knew it and guess what? It’s September. As soon as we are into the ‘embers (September/October/November/December-admittedly October is an ‘ober but you see my point) I am thinking towards the holidays. Flights, gifts, destinations, family…all the important things.
    Life goes so fast. Yesterday it was July and we were doing our first date with Aerosmith. Actually yesterday we were just sitting down to write songs for World On Fire. No-yesterday we had just put out Apocalyptic Love. Nah-yesterday I just started playing with Slash, before it was called the Conspirators, before there was an Apocalyptic Love or even a World On Fire.
    Speaking of which we are less than two weeks away from the release of said album, World On Fire. We will wrap up the Let Rock Rule tour then find ourselves back in New York City promoting the album release. Then on to Los Angeles for three club shows to promote the release of the album-the Troubadour, the Whiskey A Go Go and The Roxy. This is going to be a huge achievement for us and I say that even as we are touring with Aerosmith which is one of the grandest achievements imaginable.
    Exciting times ahead, brothers and sisters. Exciting times indeed.

    You are loved now pass that on.
    Take my message to your brother and tell him twice.

    Big love.
    Your loyal and humble servant
    Todd Dammit



  • Vancouver to Vancouver

    August 14 2014
    Vancouver, Washington

    Sitting here on a ‘travel day’ in Vancouver, Washington which is
    bizarre as our eventual destination is Vancouver, Canada. The thing is that a trip from San Francisco to Vancouver, Canada requires a break for our bus drivers. I’m sure back in the day, before pesky safety regulations, groups traveled through the night and day and night again fueled by whatever got you there.
    These days there is a system put in place to make sure we all arrive safely at our eventual destination. I for one would rather arrive alive.

    Just two days ago The Conspirators were wandering the streets of the
    great city of San Francisco when we were informed of Robin Williams passing mere miles from where we were standing. It was a surreal moment for had it occurred a day or two before or after we would have been anywhere else. The fact that it happened so close to us touched us more than I can say.

    As a kid I first found Robin, like most, as Mork from Ork on Happy
    Days before that character was spun off into his own series. His true
    genius shone in his stand up appearances. He could flail from the
    insane to the intimate in the same breath. It was never a surprise that he would go on to be an accomplished actor. My favorite of his films was the Fisher King as directed by the great Terry Gilliam. His filmography is loaded with great work- The World According To Garp, Dead Poets Society, Good Will Hunting for which he won a Best Actor in a Supporting Role Oscar and on and on.

    It is a heartbreaking loss made all the more shocking to learn it was
    by his own hand. Nothing makes me angrier than those who pass
    judgement upon others. Especially in circumstances like this. Mental illness is rarely understood even by those who consider it their field. Not understanding clinical depression leaves no one any right to comment on it. God forbid anyone should have such tragedy touch their own lives. Robin was a great man plagued by his own illness just as many others have their own. His just happened to have a much more dire effect than others.

    Unfortunately problems of this nature are not uncommon among creative
    people. It is part of the madness than can spawn genius. Feeling the
    dizzying highs and dark lows is part of what makes writers put pen to
    paper, singers put voice to song and painters put brush to canvas. It
    can be a terrifying ride or a blissful journey often at the same time.
    It is each of our personal trip through this thing called life and we
    are all headed in the same direction. We will all arrive eventually at the exact same destination. What are you gonna do with your one chance on this planet? Are you going to make a difference? Doesn’t have to be something spectacular like cure a disease. Could be as simple as being your child’s hero. To me that is pretty spectacular. Live your life as you choose to but live it spectacularly. Make a difference. To your special someone or your child. To your dog, maybe. To yourself.
    God knows Robin did. His life was a big shining light. He made a difference. He made people he would never ever meet laugh or cry or think. What more could one ask for?
    My only brush with the man was to be standing ahead of him on the
    escalator in the Virgin Megastore in Vancouver several years ago. It
    might have been an HMV by then. I’m not sure. My friend nudged me to look behind me and there was Robin Williams. Wow. Crazy. I hadn’t the nerve to say anything. I rarely do in such situations but it is now an experience, as fleeting as it was, I cherish. I saw him just casually chatting with his companion. Just like you or me. He was a man. He was also a legend and I choose to remember him as such.
    Thank you, Robin, for all the years of joy you brought to me and my family and friends. You will never, ever be forgotten.

    Wow. That was harder to write than I expected. It is never easy to
    face these kinds of things. It’s strange as the older I get the more
    bizarre life seems. I’ve been watching Cosmos of late and it has been
    blowing my mind. If anything I feel it has been stretching my mind. Making me think in ways I am not all that comfortable in thinking. The universe is so grand and endless how can I bother wasting one second on the inconsequential minutiae of regular life. Traffic, the long line at the bank, someone’s negative rant on Facebook. All completely meaningless in the endless scope of our universe.

    We are mere ants fighting over anthills. Someday we will all realize this.
    My lack of significance in the grand scheme of things is my
    significance. It makes me want to make the best of this little tiny
    life I have. Sometimes it makes you feel like what’s the point of
    doing anything? What difference would it make? To me it levels the playing field. We are all the same. From space Wayne Gretzky, Michael Jordan, Barrack Obama, Michael Jackson appear the same as the guy who works as the janitor at your kid’s school. To me it makes me realize, more than ever, that we are one and the same. None better than the other.
    In the past I’ve had friends drop out of music to become regular folk.
    To the pirates and outlaws out here on the great perimeter of reality
    we call the music business watching a talented guy throw in the towel can be seen as a traitorous offense. To turn your back on your God given talent is shameful and inexcusable. But not to me. I have seen potential ‘rockstars’ go on to be amazing parents and have a very loving, fulfilling life that they may never have experienced had they stayed out here on the perimeter. To me that makes them ‘rockstars’ all the same. For the rest of us, the blessed or the cursed, depending on your interpretation, there is no option. We live, we breathe, we play music. We act. We paint. Whatever the muse or demon.

    There is one major difference to me. As a working musician in Vegas
    for the
    4 years before I became a Conspirator I noticed a great discrepancy. My working musician friends would say, ‘I gotta work tonight’ or ‘I’m working Thursday’. That terminology never sat well with me. It was never work to me.
    Musicians shouldn’t work.
    To quote David Johansen from the New York Dolls ‘They go to work, we
    go to play’

    That’s how I think. Playing music is the greatest gift and honor in
    the world. I didn’t ‘work’ last night at the Filmore in San Francisco
    but I sure as hell PLAYed there! That’s just me though. However my friends wanna categorize what it is they do that’s fine. I think they might get a lot more joy out of ‘playing’ rather than ‘working’. There are musicians out there who would love to be making their living ‘playing’ music and they KNOW what work is. I KNOW what work is. It is NOT for me. I highly recommend all of us start working less and start playing a whole lot more. Even if playing is just goofing off on weekends. Take full advantage. This ride is not permanent. It’s wayyyyyy too short. Why spend it all working? Shudder…

    So anyway-
    When last I joined you we were in Denver, Colorado for a travel day
    before getting to the Forum in Los Angeles, California. In many ways
    there are two places in the US where musicians want to be at their
    best. New York City and Los Angeles. I don’t prescribe to that rule. I gave 100% to 100 people at the Dive Bar in Vegas on a Tuesday back in the day. I know no other way. I hurt myself just as bad in Kansas City as LA. I leave blood on stages all over the planet. That said artists always wanna have their best food forward in those centers because of the watchful eye of the industry be that press or otherwise.

    The thing I like about being a Conspirator is the bare bones, meat and
    potatoes attitude of our presentation. We require no screens and pyro
    to kick your ass. We do it with skin, bone, blood and rock n roll.
    None of that changes whether it’s LA (Los Angeles) or LA (Lethbridge, Alberta…that’s in Canada but LA nonetheless…never mind.) The LA Forum is a legendary spot. Historic shows have happened there. I have bootlegs recorded there in my collection. The show was pretty amazing. I didn’t know but apparently Jm Carrey was standing side stage watching us play. It would have been rad to have noticed him there. He is a fellow Canadian transplant and one of my faves. The successor to the crazy that Robin Williams first laid out. That woulda been a cool pairing. Robin and Jim. Too bad I’ll never see that.
    But I digress.LA was amazing. Aerosmith were on fire. They did Dream On with a Children’s choir which was pretty epic. We got to watch Steven direct the entire thing during rehearsal and he was every bit as attention to detail as he is with everything else. Very impressive.
    Apparently Sir Jonathan Depp was sitting in with the Bad Boys From Boston again but we weren’t around long enough to watch. We had to bring the rock to the good people of Scottsdale, Arizona.

    All in all playing the Forum was an amazing experience. Looking forward to checking off more LA venues on my checklist.

    Got to catch our second Major League baseball game in Phoenix. The
    Conspirators (and Scott Uchida) tagged along with some Canadian friends to watch Phoenix play Pittsburgh. That was a great deal of fun. Watch some baseball, eat some ballpark food, hang with friends-good times.
    The show in Scottsdale was pretty awesome. It, again, was another
    headlining two hour set for us. We got to add You’re Crazy back into the set which was great for me getting to sing that AND Dr Alibi. I’m very fortunate to get to sing as much as I do. You can even hear me screaming along with Brother Myles all over World On Fire.
    The Scottsdale show was a blast. People came from Canada, Vegas and beyond.
    Good sweaty fun.

    Then it was on the bus to…home. It’s always weird when you’re in
    ‘road’ mode to find yourself at home. You feel a need to put on your
    ‘home’ face but you’re still on the road. Home just happens to be a stop on the road. If that makes any sense.
    Anyway, we were on our way to play the MGM with the mighty Aerosmith.
    That’s a big deal for any Vegas resident. A big homecoming for lil’
    Frankie Sidoris who happened to be gracing the pages of Las Vegas Weekly as the hometown hero returning home. For Fitz and I Vegas is also home so getting to play in such a grand setting was a wonderful homecoming indeed.
    The show was awesome. I’ve seen a number of great shows in that venue and that was not lost on me. At the last minute my parents decided to come to the show from Canada so they were in attendance as well as a few thousand friends.
    After the show we got to catch up with some friends, some family and
    then we were on our way to the first real break on the tour. I spent a
    couple of days in Vegas entertaining my parents. I took them to the Philip Seymour Hoffman film, A Very Wanted Man which was very good but very talky. It was very real-ish in that it was not action packed at all considering the subject of the film. It was very well acted and directed just very thinky and watchy. Not a summer popcorn blockbuster. Directed by the amazing photographer, Anton Corbijn who is responsible for some amazing photos of Depeche Mode, U2 and many others. He’s also responsible for one of my favorite concert films, Devotional by Depeche Mode.

    Without my parents I went to Guardians Of The Galaxy which I have
    every intention of seeing again. Marvel just nails it almost every
    time. That was a lot of fun. I’ve been resisting filling my house with GOTG action figures and nonsense as I have enough junk to rival Neverland Ranch. I do fully intend to put GOTG in the regular cannon of repeated viewings.

    From there we headed to lovely Lake Tahoe to meet back up with Aerosmith.
    Playing places like Tahoe seems so strange as it is a lovely touristy spot.
    Reminds me of Banff or Jasper in Canada. Maybe Whistler a bit. A little Aspen in there too. Adorable little community. Not the kinda place you expect to see a rock and roll show.
    The show turned out to be killer. Shook hands with Joe Perry before taking the stage. That guy is an honest to goodness Rock Star. No two ways about it.
    Part way through the show I look over and see a familiar face behind
    the monitor board. Hey, that’s David Coverdale! Wow! What a trip. He turned out to be a true gentleman and a gigantic sweetheart. That was a real trip. Mass respect for David. Not only Whitesnake but some epic moments within the Deep Purple chapter. He’s a legend.
    The Tahoe show was amazing. I saw some Dammit shirts out there. Saw some in LA too. Always a thrill for me no matter how long I’ve been doing this.
    Looking forward to the next trip to Tahoe.

    Then we were back to California at Pechanga Casino in Temecula. This
    was our own show again so we got to dig deep into our 2 hour show.
    These are my favorite sets. As much as touring with Aerosmith is a gigantic thrill getting to play the two hour show is infinitely more satisfying.
    Being so close to LA a lot of friends came up for it. Got to catch up
    with friends and family before screaming off into the night for another adventure.

    Here’s where things get a little wacky. A little wacky because the scheduled show at Conchord, California did not end up happening at all.
    But first-
    We had a day off and went to see the new James Brown bio-pic, Get On
    Up which I loved. Not enough can be said about the Godfather of Soul. He literally invented a form of music. Soul, R&B, Funk all changed by his hand.
    Funk basically created by him. All of this from a man with no musical
    training. No dance training either. Just 100% pure natural talent and ability. THAT is inspiring. He was beyond determined. He worked harder than anyone. Talent plus hard work might get you somewhere. Push, push, push, fight, fight, fight, dig, dig, dig. It was inspiring.
    The man had no shortage of demons and down sides. His behavior could
    be down right deplorable. He was a force to be reckoned with.
    The film was a joy. Non linear, which is always a challenge, and the 4th wall is repeatedly broken which can also be risky but it all works here.
    Musicians can be hard on music films but we unanimously dug it. I plan
    to see that again before it’s out of theaters as well.

    Back to the wacky-
    So the morning of the show I hear rumblings of cancellations. Uh oh.
    Apparently Mr Kramer has some kind of health issue and tonight’s
    performance is going to have to be scrapped. Slash, to his credit, is insistent that OUR show must go on. I was skeptical. How can we possibly pull off a show tonight? At breakfast I listened to Cheryl, our tour manager, and Slash in and out of phone calls, “that venue is too small. We’ll never fit on that stage” “that one’s not available. It woulda been perfect.” All very bleak as far as I was concerned. But I should have known better. When Slash puts his mind to something. Something happens. Something awesome.
    Out of nowhere we WERE in fact going to play. And not only had we
    found a venue that venue was one of San Francisco’s most legendary spots, the Fillmore. Grateful Dead, Jefferson Airplane etc etc etc had all played this legendary hall. I was shocked it was happening at all.

    So just like that it was announced that the AeroSlash show was
    cancelled BUT the Fillmore show was ON! We didn’t even show up at the venue til like 7:30pm for soundcheck. We were on stage 2 hours later to play a full, celebratory 2 hours. We had lost a show but built a triumphant show nonetheless. We giveth what they hath tried to taketh away!
    It was a very victorious show as we had fully expected to be riding the bus to Vancouver rather than playing a show. It was a really special show and I was very happy to be a part of it. Thank you to everyone who helped to make it happen. Thank you to all who attended and made it such a good time.

    So now here I am in Vancouver, Washington on the dreaded travel day
    waiting for the bus driver to get enough sleep so we can ride on to
    Vancouver, BC, Canada so I can finally see my family. I always love
    going to the Motherland. It’s a heartbreaker to have such a brief time in Vancouver. We are literally there for ONE day. I will wedge my family into one day before we return to the US to play the Gorge in Washington state.
    Yes, that’s right we ARE playing the Gorge. The Let Rock Rule tour has
    NOT been cancelled as reported on TMZ. Surprise surprise TMZ has reported something inaccurate. Tabloid nation.
    Joey is getting sorted but the tour will carry on. The show MUST go on.
    Slash proved that by making the Fillmore show happen. This tour
    continues as scheduled. Conchord being the only unfortunate hiccup.
    Get well soon, Joey Kramer, one of the greatest drummers in Rock N Roll history. He’ll be back stronger than ever. Wait and see!

    Well, I guess I better get myself on the bus to Vancouver from
    Vancouver so I can be rested enough to spend the day with family. By the time anyone reads this it will probably be show day in Vancouver, BC. I’m really looking forward to it though I always look forward to the Motherland.
    TRUE
    STONG
    FREE

    Some Todd Dammit for your ears and your body-

    http://tinmanmerchandising.com/index.php?cPath=612_613&sort=3a&gridlist=grid&tplDir=ToddKerns

    “I can’t stop those tongues a-flappin’ so I just keep my toes a-tappin’
    Put the bullshit in the lost and found and never let the bastards drag
    me down”

    PEACELOVEMETAL
    Your loyal and humble servant
    Todd Dammit=



  • World (Tour) On Fire

    July 27 2014
    Denver, Colorado

    A day off in Denver. Last time we were here it was Slash’s birthday. This is what they call in the touring biz a ‘travel day’. We have to get all the way from Kansas City to Los Angeles so scheduled travel stops have been made along the way. Today’s stop being the great city of Denver, Coloarado. We got in this morning and we will be back on the bus at around 1am tonight. If you don’t sleep well on a moving vehicle then this may not be the life for you. I don’t sleep either way so it’s all the same to me.

    I forgot to mention in my last ‘Catpain’s Log’ that the Conspirators got to take in America’s past time at the legendary Fenway Park in Boston. As is no secret I’m not much of a sports guy but I love the spectacle of seeing a game live. Especially in a town like Boston that is so devoted to it’s team(s). I really enjoyed that. I should do that kinda thing more often.

    I also didn’t mention that while the Conspirators were doing all that Boston stuff our pal, Slash, ran off to Atlanta to hang out with the cast of the Walking Dead. Whaaaaat? So rad. He told me all about getting to hang at the set. Norman Reedus and he are boyz. I love that show. Season 5 is on it’s way. When we get to Atlanta I’m told that members of the cast will be coming to the show. Damnnnnnn! That is super crazy. Being Slash is pretty rad.

    When I last joined you we were about to take the stage at Hard Rock Live in Northfield, Ohio. It was our own headlining show for a change so that was nice. We tore up 2 hours for the fine folks of the Cleveland area. Frank Sidoris’ family was in full effect. Frank’s dad, Frank Sr or Frank 1.0 as I call him, flew out to take in the show with an abundance of Sidori (plural for Sidoris). Awesome people. Killer show.

    The next day was a trip. Slash was getting a ‘Guitar Icon’ award at the first annual AP Music Awards. AP is otherwise known as Alternative Press. It was being held at the ever so cool Rock And Roll Hall Of Fame right there in the heart of Cleveland.

    I was stoked to shake hands with Joan Jett for the first time in my life. I am an embarrassingly huge fan of the diminutive Godmother of Punk. She was a doll. Slash would be sitting in with her later that night.

    There was an insane red carpet to endure that was pretty much chaos. I was happy to get inside the building in the relative calm of the green room. Eventually Slash was gathered his award from guest presenter and guitar God in his own right, Joe ‘Effing’ Perry. That had to have been a huge honor for Slash. He never lets too much of his emotions be seen but I know that had to feel pretty damned good. Especially getting such an award from his boyhood hero, Joe.

    After that Slash played Star Star by the Stones with Joanie but not before we watched the Misfits play. What a trip. I wanted so badly to go get my pic with Jerry Only but thought better of it. I didn’t wanna be ‘that’ guy. It’s funny that his bobble head has been riding on my amp for the better part of 4 years.

    It was amazing to watch Joan. As I mentioned I am a massive fan. I have now met 3 of the original Runaways who have always been very dear to my heart. I’ve even played on stage with two of them, Cherie and Lita.

    After all that we rode the bus back to our hotel with none other than Joe Perry. Sitting there with him is almost terrible for your ego. The man is just effortlessly cool. I may have thrown myself together pretty well (well, I really didn’t…) but I will never, ever be as cool as Joe Perry. Joe is old enough to be my father but couldn’t be cooler. I mean The Fonz cool. It’s inspiring.

    From there we overnighted to the great city of Cincinnati, Ohio. I believe this was the first night we started opening the set with You’re A Lie. That has been our opener ever since which I think is a good, bold opener. It was our first single from Apocalyptic Love and did very well for us. Up to that point we had been alternating between Hard And Fast from Apocalyptic Love or Ghost from the previous solo album. I think You’re A Lie is the best so far until World On Fire comes out. Then we’ll have a plethora of things to choose from the 17 songs on that. Oh, I can’t wait for y’all to hear that!

    Cincinnati was another opening show with Aerosmith. It is always a sobering honor to get to watch Aerosmith every night. Steven brings it night after night. Again, very inspiring.

    Cincinnati rocked. See you in 2015, brothers and sisters

    Then we had some time off in the great city of Chicago which ended up being an amazing time.

    Day one was Slash’s birthday which was a blast. We just kicked it at a restaurant and showered the man in gifts. Steven was in attendance and as on fire as ever. The man is a super nova of energy. He’s my parents’ age but wears me out!

    John Douglas, or JD as he’s better known, was Brent Fitz’s drum tech on our first tour back in 2010/2011 but he now works for Joey Kramer of Aerosmith. He’s a member of OUR family! For those that don’t know back when I was shipped home from Moscow with a detached retina it was JD who played drums in Moscow and St Petersburg while Fitz played bass. JD had been a Conspirator for one night albeit before we were actually known as The Conspirators. JD attended Slash’s birthday dinner and regaled us with tales of those doomed rehearsals with Michael Jackson that were captured in the documentary This Is It. A must see. JD was at that time working for Jonathan ‘Sugarfoot’ Moffat, Michael’s drummer. JD was there for the sad story of Michael’s demise. We had just watched the documentary the night before and were full of questions. JD is such a great dude and it’s nice to see him on a daily basis on the Let Rock Rule tour.

    Slash’s was spoiled well as he should be. We are a tight knit family out here and we take care of one another. More than ever this team feels strong and very caring. From the crew to the band. I care about each and every one of these people. There is no drama, no dark negativity. Just a true pleasure to be around these people. I feel very, very fortunate.

    The next day Frank, Ace (Slash’s guitar tech) and I went to see Jack White put on an amazing show at a theater I never retained the name of. Jack was on fire. Jack is one of my favorite artists. Whenever I see him I think of how I should have done things differently in my career. I admire the fact that he had a vision and stuck to it. I certainly believe there were people who would have told him that he should do this or that but he stuck to his guns and has managed to create his own little world. I should have listened to my own instincts more and to the opinions of people ‘in the know’ less. I don’t say this out of any dark regret. Moreso I say it out of a confirming rightness and a sense of ‘it’s never to late’. Life is funny that way. You never know what’s coming. I’m excited about that.

    Jack was amazing. Jack was inspiring. The audience knew every word. It was a disparate collection of humans there. I expected it to be the hippest of the hipsters but there was every walk of Chicagoan from Led Zeppelin t-shirt and Budweiser in hand guy to Nickelback/Bon Jovi concert attendee cougars.

    Ace said it best. He said the audience looked like a group of people you might see at a train station. Just a random collection of humans. I think that says something about Jack’s appeal. We had a blast. Stayed right through the 2 and a half hour show and I never tend to stay at any show that long anymore.

    The next day we were back playing with our pals in Aerosmith. It is never lost on me how awesome it is to look over during our soundcheck to see Brad Whitford standing side stage watching. He’s always there. He loves music. He is genuinely excited when he gets a new guitar. I love that about him. That’s a true musician. We in Conspirators land are very much the same way.

    The show in Chicago was awesome. We’ve been playing mostly outdoor sheds with Aerosmith which means we go on to pretty much daylight but that can be a lot of fun. Hey, I’ve never complained about any gig. I love to play, but getting to play to a crowd that size AND getting to watch Aerosmith on a nightly basis? It doesn’t get much better than that! Nothing I will ever take for granted.

    Last night we found ourselves in Kansas City, MO at Harrah’s casino in the Voodoo Lounge which is bizarre to a Vegas resident as we are more than familiar with Harrah’s there. I even played a Voodoo Lounge in the Rio every Tuesday night for a long time before becoming a Conspirator.

    This was another headliner show for us so that meant the full 2 hour show. Sweeeet! The show was amazing. I was instrumental in having a 1st rate, 4th grade dropout, jag-off removed because he was a little too free with his middle finger. There he was right in the middle of the crowd. For the first song or so I’m thinking, ‘Is he trying to express himself somehow? Is he handicapped and doesn’t know any better? Has he had the other 3 fingers of each hand removed in some industrial accident?’ Once I’m satisfied with a NO on all 3 of those questions I am left with the only option-This guy is a jag-off. I quickly nod to head of security and the guy is removed. I hope he spent $100 on scalper tickets only to be asked to leave after 3 songs. That would bring me great joy.

    I completely forgot about that guy until just now. That’s the lasting effect that moron had on us. The night was amazing. One of the best crowds we’ve played to yet.

    Then it was onto the bus and off to where I sit right now writing this. Denver, Colorado.

    We’ve been having some issues with www.toddkerns.com so you may not get to see this blog for a day or two after it’s been written but I wanted to make sure I wrote one before heading back to the coast where life will inevitably be moving pretty damned fast. It’s moving pretty damned fast as is. I knew before even starting the tour that it would go fast. The tour wraps in September upon which time we will begin a flurry of activity based around the World On Fire album release in both LA and New York. By the time we take any sort of break it will be October at which point I’ll be planning Xmas holidays. In my head it’s already that time. Time to prepare for the onslaught of 2015. It’s only July and this is where my head is at. Slow down, brain.

    As mentioned above I have no idea when this blog will be posted but we will get it up asap. By the time that happens it will give the illusion that the next one won’t have taken too long. It’s only been a week since the last one. That’s pretty good by my standards.

    Alright, I gotta get ready to get back on the Enterprize to take me wesssssssst!

    Big love

    Your loyal and humble servant

    Todd Dammit

     

     



  • Rocking and Ruling

    July 20 2014

    Cleveland, Ohio, USA

    My first check in from the road on this journey known as Let Rock Rule. And what a journey it has been thus far, brothers and sisters.

    We started in Hampton Beach, New Hampshire at the legendary Hampton Beach Casino Ballroom doing our own two hour headlining set. None of us could possibly have known what to expect. We hadn’t collectively been on stage together in some time. I can say that we locked into a familiar groove that created a slip stream of effortless chemistry for the next two hours. Those opening nights can be trouble. Kinks to be worked out both musically and technically. There was the odd technical snafu but to me it felt as if we had played the House Of Blues in Las Vegas the night before. Truth be told that gig in Las Vegas was almost a year ago. That monumentous night was the final night of the Apocalyptic Love (or as I affectionately called it the Apocalyptic LIVE) tour. Oh, how time flies.

    Of course in the interim we had impregnated the world with a bouncing baby boy named World On Fire and it was to be delivered in it’s entirety in September. The single of the same title is out there in the mainstream consciousness as I write this. That song is an animal. It is unrelenting. It is angry and. pardon the obvious pun, fiery. Some time ago I had mentioned that the new album sounded sleazy, dangerous and this is one of the songs I was referring to. It grabs you hard and doesn’t let go for about 4 minutes. I’m proud of that one. You can hear me shouting along with Mr Kennedy at full volume. Loud and ever so proud!
    Needless to say that opening show was a triumph. I felt very good about it. I was a shattered mess afterward but I still made a point of saying hello to as many people as possible. Thanks to all who came to crash that bottle over the hull of the good ship SMK&C.

    We got to play some, as of yet, unreleased songs from the new album. The aforementioned World On Fire as well as Stone Blind and 30 Years To Life. That’s 3. There are still 14, that’s right, 14 more songs to hear on the new album. We’ve also added You Could Be Mine from the Use Your Illusions GNR days. The Conspirators have been lobbying for that one for a while. I consider it’s inclusion a victory.

    Things have panned from very relaxed to completely surreal since then. The very next day we found ourselves from one beach scene to another. Jones Beach, New York looks and feels a lot like the town in the film Jaws. I suppose Hampton Beach did too. I have stated before that I’m not much of a beach guy but if there were a killer shark about I’d be up for it. As a spectator.

    I wasn’t here to put zinc oxide on my nose and burn anyway in the warm…New York sun. I was here to do my part in our portion of the Let Rock Rule tour with America’s greatest Rock N Roll band, Aerosmith. What a trip.

    Not enough great things can be said about Aerosmith. They truly are outstanding considering how long they’ve been around. Steven Tyler hasn’t missed a step. His voice is impeccable. A lot of the older guys lose a bit here and there. Not Steven. In fact from the audience he looks exactly the same as he ever did. Actually in person too. It’s astounding. I will never have his energy. Ever.

    Our set in Jones Beach was great. It’s always weird readjusting to the opening slot but at sound-check it was extremely cool to see Brad Whitford side stage with legendary producer, Jack Douglas. Jack, of course, produced everything from Rocks and Toys In The Attic by Aerosmith to Double Fantasy by John Lennon and even the second Snakepit album. Brad Whitford is the coolest dude ever. I hope I’m half as cool as him as an elder statesman of rock.

    During our set it was hard not to notice Steven Tyler way off on stage left bopping along to Da Conspirators. A younger me would have been completely distracted by that. The NOW me has a job to do and I did it to the best of my ability. It was fun tearing up the stage for the second night in a row. Our set was shorter than our headlining show but that Jones Beach air was humid and heavy. We were drenched with sweat as if we’d played twice as long.

    After our show I got taken to school watching Aerosmith for the first time in a long while. Damn they sound good. Though Steven and Joe get most of the love the initiated know that not one member of that band is replaceable. It’s fair to point out that Aerosmith is one of the only heritage bands out there with full original lineup. I can’t think of many others…ZZ Top? I’ll have to think on that.

    Absolutely genius show. Apparently Liv Tyler was there though I didn’t see her. I hung out with Gav and Victoria from the Ginger Wildheart camp. Amazing to catch up.
    The man himself, Eddie Trunk, had made his way to the beach for some Rock N Roll and the gem that he is chose to wear his DAMMIT shirt. What a sweetheart. Supporting the home team! Good man! Always a pleasure to hang with the only man more knowledgeable than me about the most trivial things possible. And I say that with the utmost respect.

    photo

    EDDIE TRUNK AND THE CONSPIRATORS (avec DAMMIT shirt! :)

    Our good friend, Jimmy Webb, from Trash And Vaudeville in St Marks Place, New York City made the trip to Hampton Beach AND Jones Beach with us. He is part of the family. When you are next in NYC tell Jimmy Dammit sentcha!

    We were back on the steel horse to the Motherland, the great white north, Canada directly after the show to make the Bluesfest in Ottawa, the nation’s capital, the next day. That show featured Canadian legends, the Barenaked Ladies. It’s always good to be back in the land of my birth. The show was HUGE. The audience was especially voracious. It was an amazing show. We really had a great time. The band was truly gelling like we’d never been away.

    From Ottawa we were back on the bus for a day off in Toronto where I caught up with my brother, John, from AOE and SIS. Always good to see him and his Missus.
    Watched Dawn Of The Planet Of The Apes, which was pretty damned awesome if I do say so myself. I’m a huge fan of the franchise. They are doing this 21st century version correctly. It was about 30 minutes too long for me but it was really great.

    Then we were off to Kitchener for the Big Music Festival with Aerosmith, Kim Mitchell and Big Wreck. I stood side stage to watch my friends in Kim Mitchell’s band. Some of you may remember that Fitz and I both sat in with Kim years ago. This time I was approached while watching the band and asked if I wanted to sing Battlescar. For the uninitiated Battlescar is the greatest song you’ve never heard. It is the clashing of two titan bands in the most glorious way ever. Rush VS Max Webster and the listener is the winner. I didn’t hesitate and ran out to sing the Geddy Lee part as loud as I could. It was truly EPIC! These are the dreams of small town Canadian boys come to life.
    Sure enough Steven Tyler showed up side stage to say hello to Kim. I’m sure Max Webster, Kim’s old band, probably opened for Aerosmith back in the day.
    I said hello to Joey Kramer in Slash’s trailer. He’s the legendary drummer from the Let Rock Rule tour headliner. Good man.

    Afterwards as I was digging through my wardrobe case a voice came from behind me, “Hey man, is Slash around here?”

    I spun around and was standing toe to toe with Steven Tyler. You just kinda KNOW that voice. We hugged and said hello and I directed him to Slash. It is not lost on me for an instant that Steven feels we are on a man hug basis of intimacy. Hey, I’ll take it. I’ve been imitating all aspects of Aerosmith since as far back as I can remember. A real trip.
    Our show was amazing in Kitchener. The crowd was huge and very into it. Oh, Canada. We stand on guard for thee!

    From there we were off to the birthplace of Aerosmith, Boston. Truly one of the great American cities. So much history. The architecture alone is breathtaking. Took advantage of some downtime to really walk around and take in some history in Beacon Hill and beyond. And sure I returned to my fave spot, Newbury Comics.
    Even went to Cheers, the inspiration for the NBC sitcom.
    Nobody knew my name.

    The homecoming show for the ‘Bad Boys From Boston’ was to be at the Xfinity Center in Mansfield, MA. That was a great night. The people of Boston were especially good to us. It’s truly awesome to see people singing along with World On Fire. It only just came out! Very exciting!

    Backstage was homecoming mayhem for Aerosmith. The lovely, Mia Tyler, was in attendance as well as the families of virtually every member of the band. The unassuming guy in the corner in the blue glasses looked familiar. Oh shit, Edward Scissorhands/Jack Sparrow himself, Johnny Depp, is in the house. what a trip. I’m a fan but I wasn’t gonna nerd him out. He was too jump up on stage with ‘the boys’ later but we’d already be back on the bus.

    Also to join the lads on stage would be our fearless leader, Slash. He asked me for a DAMMIT shirt so I gave it to him. Seeing him performing with Aerosmith was a trip. Seeing him do so while wearing my shirt was beyond surreal. I can’t tell you what a thrill it is seeing Slash play with those guys. When Slash was a boy he drew impressive pictures of Aerosmith. They were HIS band. The band he was obsessed with and inspired by. Seeing him share the mic on Mama Kin with Tyler/Perry was a thing of Rock N Roll beauty. It was a real thrill.

    photo1

    BROTHER STEVEN, BROTHER SLASH and THE shirt!

    So then we spent another day off in the amazing city of Boston. Went to Fenway Park to watch the Sox and the Kansas City, Royals with my co-Conspirators. Amazing experience. Serious history in that building. We actually got to witness two home runs by Boston. Pretty impressive.

    Here I am now in another great Rock N Roll city, Cleveland, Ohio. Tonight we finally play another headlining set at Hard Rock Live. We are so due for a full 2 hour show. Can’t wait. Tomorrow we will attend the AP Awards at the Rock And Roll Hall Of Fame where Slash was inducted as part of some band he used to play with…That should be a blast. Some very cool people performing and appearing there. I’ll report on that later.

    I have been obsessed with some crazy documentaries that I have to recommend on Netflix.
    The Impostor will blow your mind.
    The Woman Who Wasn’t There will have you going ‘whaaaa?’
    Dear Zachary is almost un-recommendable as it is so troubling but it is truly brilliantly done and a crushing story.

    I am currently obsessed (again) with the bizarre life of Michael Jackson. Ever since the 5 year anniversary of his death I’ve been back to being fascinated by the genius of his music and the madness of his life. It is truly unfortunate how his life turned out because he was so unimaginably talented. His grasp on reality clearly slipped far out of reach. Really a shame. A shame for so many affected.
    I’m reading Untouchable-The Strange Life And Tragic Death Of Michael Jackson by Randall Sullivan and I cannot put it down. It is like 700 pages or something. It is the most in depth account of his life I’ve ever read.

    It’s one of those things about THAT kind of fame that I have no interest in. Not like it’s really a choice. People get a certain level of power and just lose touch with reality. Being a musician is a very unrealistic life in the first place. We are all dreamers and not the most reliable people on the planet but I’m happy with my coffee and vinyl shops. I don’t want to collect actual Batmobiles and build my house to look like the bridge of the Enterprise (because you know that’s exactly what I would do with unlimited wealth). It’s good to always have something to reach for.

    People are always telling me make DAMMIT lunch boxes or DAMMIT travel mugs. I’m not interested. I’m happy that people wanna wear the shirt. It really touches me to see the shirt from Atlanta to Australia and all points between. Hey, I’ve gotten to see Eddie Trunk and Slash in ‘em lately.

    Funny story-Slash was looking at photos from a performance we did at the Wiltern Theater we did in LA some time ago. He was casually flipping through pictures on an iPad when he said, “wait a minute. Go back.” So someone scrolled back and Slash said, “Look at all the DAMMIT shirts in the audience.” We all laughed. It was a pretty amazing feeling to have all those people representing. Many in from Vegas. That is a gesture not lost on me in the least. Thank you. Thank you. THANK YOU!

    If you’re interested please check out the merch page-

    http://tinmanmerchandising.com/index.php?cPath=612_613&sort=3a&gridlist=grid&tplDir=ToddKerns

    Even the cds are on there. More to come on that soon…

    I’ve had a couple people tell me recently that I need a hair cut. Let me reply with-absolutely not. I am one of the lucky people that doesn’t have to do a damn thing anyone tells me to do and it would be a real lack of faith in myself and how I wanna display my freedom to feel I have to look, dress or act a certain way other than exactly how I wanna.
    And that’s just what I’m gonna do, thank you very much.
    It’s funny cuz a friend was saying to me not that long ago how tired she was of people staring at her because of all her tattoos and punk hair and crazy clothing and I was like ‘what are you talking about?’

    We all dress this way or get tattoos or wear makeup or wear our hair crazy to be different from everyone else (and yes, like each other). Getting looked at is part of the deal. You have no idea how crazy it was to wear your hair long or have a mohawk or even have an earring at one time for a guy. I had become so accustomed to rednecks calling me ‘faggot’ that I accepted it as a badge of honor to not be anything like them. Being different is to be celebrated. Sure I could cut my hair, throw on a casual outfit and blend in but I choose to appear this way. People who are born different have no choice. They should be free to be themselves too. Unfortunately it is some kind of primal thing to lash out at something different or something you don’t understand but we are not simple animals. We have the power of judgement and reason and logic. Why on earth would I want to live on a planet where everyone looks just like me? What a boring place that would be.

    You will see. Someday aliens are gonna come down and say ‘all humans are alike’. They come in different colors or whatever but they’re basically all the same. Bipeds. Some are male, some are female but essentially the same. Then we’ll feel pretty stupid for all these ‘differences’ we’ve found in one another.

    I like all my different friends. Keeps life interesting.
    So to summarize I’m gonna wear my hair the way I wanna. So should you.

    Tommy Ramone died. The last of the original Ramones to go. All so young. All too young. I cannot stress the impact The Ramones have had on my life. They are the reason I play music. The reason I started and the reason I continue to. I had the audacity to say aloud that I liked The Ramones more than Led Zeppelin in my youth and it was heresy until I found like minded cretins. To be fair I love Zeppelin I just adore The Ramones. They speak to ME. The me inside of me. The Ramones have always been my argument when people ask me why I don’t have punk rock hair since I love punk rock so much. Joey Ramone always had long hair. Iggy Pop too. And the Dolls. And the MC5. Music is in you not the clothes you wear and not in the way you wear your hair.

    The Ramones taught you that with three chords and the truth you could take over the world one city at a time but you gotta love to work. The Ramones weren’t ‘American Idol’. They were 4 kids who made a horrible racket together until it was a pretty damned good racket and then a majestic and life changing one. There are 4 kids somewhere right now making a horrible racket in a basement or a garage that will one day take over the world while you’re watching ‘stars’ on TV. We have The Ramones to thank for that.
    There are some incredible reunion shows going on in Rock N Roll Heaven right now.
    God bless Joey, Johnny, Dee Dee and Tommy. The greatest Rock N Roll band in the world.
    Big love to Marky, CJ and Richie too.

    My Mother says I’m wearing too much eye makeup these days and that I look like Alice Cooper. I take that as a giant compliment (insert devilish grin)

    Alright, I’ve rambled enough.
    See you tomorrow night, Cleveland!
    Big love, brothers and sisters!
    Your loyal and humble servant
    Todd Dammit



  • Day One : Here We Go

    Re-Posted from – July 9th 2014
    Hampton Beach, New Hampshire

    Day One : Here We Go

    I have no excuse for the lapse in time since my last post. I attribute it mostly to life. Possibly a need to hold on to the moments and preserve them in memory rather than in text form. Like the difference between taking in and enjoying the moment rather than taking multiple lo res photos of it. I am constantly at war with this side of modern life. I think back on all the concerts I’ve seen in my life and I’ve never once regretted not having video or photos of them. They would be some awesome videos and pictures because I’ve seen some amazing shows. I’ve never been big on taking pictures of my food or my beverages. I’ve never felt the need to expel my thoughts on religion or politics to a mass of strangers. I’ve never felt the need to burden the rest of the world with my problems.

    But that’s just me.

    Here’s an experiment-go back to your last 10 Facebook posts. If 3 of them are in any way negative that is too much. There is much to be negative about in this world but to me these are things I rarely see represented on the personal posts of my ‘friends’ via social media.
    There’s the clandestine ‘you know who you are’ messages. There are the exorcisms of daily minutiae, ‘traffic’, ‘flat tires’.

    I get it. It’s the 21st century and almost any thought that enters our head or any experience is not worth having unless shared with the entire world. It is something I struggle with. I’m struggling with it now as I ’share’ this. I look at the generations before us with real struggles of equality and justice. We create our own struggles now even when equality and justice are still there to be fought for.

    My Mother said the same thing your Mother probably did, “If you don’t have anything nice to say don’t say anything at all.”

    Luckily for musicians and artists we get our complaints and anger out through those vehicles. It is my belief that there needs to be more art out there and less ‘woe is you’. Life can be beautiful. It really can but it requires hard work. Like a good diet and exercise it’s not easy. It requires constant work and attention but you would be surprised what comes back to you if you face the world with kindness. Maybe it’s naive but that’s how I’m gonna live my life.

    Or maybe this is all just an excuse because I’ve been too lazy to write about the last couple of months. I’d accept that as partially true. Truth be told I only started writing these for my own exorcisms. The fact that anyone ever enjoyed them came as an unexpected surprise. Now I write for them. And, I suppose, for myself.

    I think of myself as just another ant in this anthill. Everyone has a story. 9 to 5 then bowling on Wednesday. That’s a story. There’s a story there. There’s a story about the wants and desires of that person. The disappointments, the bliss in unexpected things. I don’t believe in the false pedestals we’ve created in our society. There was a time when actors and musicians were the lowest of the low. Traveling from town to town, village to village putting on shows. Now they are our royalty. Our monarchy. And I get it as a loyal follower of music, film and art. It just so happens that all of my interests fall into those categories. In the way that some worship athletes I will always have great admiration for the arts and the artists. We need our heroes. I’ve never understood the machiavellian need to build up only to tear down. That we should celebrate but only just enough before those celebrated be reminded they are no better than us. The germans have a term, schadenfreude, which refers to taking pleasure in the misfortune of others. I think that is amongst the darkest traits of our evolved state. If we are so evolved shouldn’t we recognize this as a deplorable trait? Anonymously leaving negative comments online is the very definition of cowardice but it happens every day. Multiple times. It’s happening now. Humans are terrible to one another. The worst part is we know better. We are not simple animals with the excuse of instinct. Kindness is the most important trait and should be moved to the top of your list of importance. Regardless of what one another’s beliefs we should be able to engage one another in the simple act of kindness.

    That’s what I hope for. That’s what I dream about.

    There’s my exorcism. I guess that’s my ‘back to the internet’ vent. I think this year you will get a little more ‘me’ rather than just general accounts of tour scheduling. Apologies in advance.

    After months working on the album that is now titled World On Fire we find ourselves, once again, in the beautiful resort town of Hampton Beach, New Hampshire. The kind of place my girlfriend would love and I would falsely lament only because of my being what Jim Gaffigan calls ‘indoorsy’. I don’t do beaches or camping. I like urban life just fine. I like coffee and movies and all the things that the city has. I also like fast internet and multiple channels of delicious distraction. I know…it’s a problem. But I’m not here for the beach or the sun. I’m here for the rock. The first day of the rock. Tonight we play two full hours of blistering volume. We will play songs that have never, ever been performed live. We will play songs that can be heard nowhere else by no other band.

    This band is rehearsed and ready. We have been chomping at the bit to get on stage. Tonight that is finally a reality. The last official Conspirators show was July 25th 2013. That’s almost a year ago. No wonder I’m kicking like a mule.

    Tomorrow will be day one of the Let Rock Rule Tour with Aerosmith. This is a childhood dream realized by every member of our band. Even Slash. Of course he is on a first name basis with everyone in Aerosmith but he is amongst their biggest fans. The fact that he is a part of their bill on his own, with his band, is no small feat.
    We will be in each other’s pockets for 12 weeks with Aerosmith. I can’t tell you what a thrill that is for me. Though I just denounced the need for ‘heroes’ above, Aerosmith has had one of the biggest impacts on my life as a musician. They continue to be an inspiration. Always have. Always will.

    These next 12 weeks will be the high water mark of the 4 years I’ve been playing with Slash. After that we will be set free on our own to take this experience to new levels beyond. 2014/2015 will be the most important chapters of our careers. It will set up what follows. I plan to make the most of it. By 2016 we will all be different people. For better rather than worse, I think. Knowing that the nadir should be celebrated not lamented for fear of what lies on the other side. I have no fear. I am the wolf. I am hungry. I plan to take a big, juicy bite out of this life.

    But first Hampton Beach, New Hampshire with your pals Slash, Myles and some Conspirators. Many of you will be reading this after the show has already happened. I bet it was awesome.

    Thank you for being a part of the most important year of my career.
    Big love
    Your loyal and humble servant
    Todd Dammit



  • Confessional

    May 6 2014
    Las Vegas, Nevada

    Well, brothers and sisters I can honestly say that these are very exciting times. I have been living with the mixes from the new SMK&C (Slash Featuring Myles Kennedy and The Conspirators for the uninitiated) and I can say that this record goes beyond any expectations I could have had. There is so much I am biting my tongue about because these things are to be announced through formal channels-album title, song titles, artwork etc. Suffice it to say that it has grown to be a sprawling and diverse journey of an album. I’ve taken to calling it our Physical Graffiti due to its weight, size and diversity. In the coming weeks so many things will be revealed. I believe it is the boldest thing we could have done. All to be revealed soon enough.

    I can say that we will be doing photos sooner than later as our scheduling is always dependent upon the availability of Mr Kennedy. While Myles is globetrotting with the fabulous Alter Bridge the rest of us are putting the final touches on the record and preparing ourselves for battle. Living with the record, sharpening our senses and honing our attack so that day one of rehearsal will be a mere formality. My intention is to be battle ready long before a stage is in sight.

    The Let Rock Rule tour with Aerosmith has long since been announced taking us across the US and into Canada. We are filling in holes between Let Rock Rule dates taking us to Vancouver, Cleveland, Kansas City and more on our own without the mighty Aerosmith. Steven likes to take a day or two between shows. The Conspirators do not. So while the headliner rests we will be raiding and pillaging on our own before returning to the mothership. I’m chomping at the bit!

    So here we are in the familiar holding pattern. The record is mixed. Next up is mastering. Simultaneously artwork is underway. Photos will be an important part of the puzzle then once everything has fallen into place a song will probably be released to the hot little ears of our brethren the world round to carry us through the summer and into September when the album will be released. I’m only speculating. Never hold me to anything I say here. This is my little domain and the tales woven here can be rife with fact or riddled with misleading fiction.
    But then again maybe not.

    On July 10th 2014 we will unleash Hell at Jones Beach, NY and we will continue till 2016 if I have anything to say about it. If Slash has anything to say about it we will never stop. He is an animal of the road and it all trickles down from there. We are all cut from the same cloth. Myles Kennedy lives ‘on the road’. If he’s not with us he’s with AB and back and forth and back and forth perpetually. No one knows how he does it. He is a machine.
    As Myles sang in We Will Roam from Apocalyptic Love

    “And stil we roam now forevermore,
    Tread the night on steel and stone,
    And still we roam never asking more,
    Where we are will be our home”

    There is heavy truth in those words.

    In the meantime I have my own fish to fry. Just announced was the release of Bootleg Confessional : Live In Vegas, my live album recorded September 2nd 2013 at Count’s Vamp’d in Las Vegas. This will be released as a full download of 17 and 1/2 songs exclusively at www.pledgemusic.com on May 26th 2014.

    http://www.pledgemusic.com/projects/bootlegconfessional

     

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    The show featured dear friends of mine who joined me for the fun. Brent Fitz and Frank Sidoris from SMK&C plus Doc Ellis and Zachary Throne, my brothers from the Sin City Sinners and the amazingly talented Cian Coey from the legendary Meat Loaf’s band. It was a magical night and I’m so happy that we captured it.

    Todd Kerns-Bootleg Confessional : Live In Vegas

    1. The Devil In Me
    2. The Maker/Indian Summer
    3. You Can Always Go Home
    4. It’s Always Been You
    5. Hideous
    6. Let My Love Open The Door/So Scandalous (Featuring Doc Ellis)
    7. Wicked Games (Featuring Doc Ellis)
    8. Nothing Personal (Featuring Doc Ellis, Cian Coey and Zachary Throne)
    9. This Changes Everything (Featuring Doc Ellis, Cian Coey and Zachary Throne)
    10. So Close/So Far
    11. The One
    12. Heathrow 4am
    13. We Are The Champions (Featuring Brent Fitz and Frank Sidoris)
    14. Stairway To Heaven (Featuring Brent Fitz and Frank Sidoris)
    15. It’s Not You It’s Me
    16. Space Oddity (Featuring Zachary Throne)

    Bootleg Confessional : Live In Vegas also includes the never released song, The One. Performed only once ever that night and only available on the live recording. The casual and impromptu performance has been preserved in its original form though some of the banter was cut down due to time. There tends to be a great deal of chatter at my shows. We try to make it fun.

    So in honor of the release of Bootleg Confessional : Live In Vegas and as the unofficial one year anniversary of the release of last year’s Borrowing Trouble we have booked a show at the very scene of the crime, Count’s Vamp’d on Sahara in Las Vegas, Nevada. The Count in the name of the club is the one and only, Danny Koker from Counting Cars on A&E. It’s Danny’s club and his amazing wife, Korie is always so good to me whenever I’m there. It is the best rock venue in Vegas. Ask any Vegas rock fan and they’ll tell you the same.

    May 26th, which is Memorial Day-a Monday-is the day of the yet another awesome acoustic show at Count’s Vamp’d. People always ask why I book these shows on Sundays and now a Monday. I booked it on Memorial Day cuz it’s a holiday. It’s an acoustic show. I make the show early and I make it all ages so anybody of any age can come share in the fun of live music. Music is my drug of choice and I am a complete junkie. I’m a pusher too. I’m an enabler. Tickets are selling fast and it warms my heart to know that people are coming from all over to come enjoy the last acoustic show of 2014 before I head out on the good ship Let Rock Rule with SMK&C and Aerosmith!

    There are packages at www.pledgemusic.com for downloads, downloads plus tickets and even a VIP package where you can come hang out with us for the day. I can’t wait. It is going to be a major celebration. I hope to see you there!

    As always we are trying to our best to raise money for a cause along the way. This time proceeds will be going towards Cancer research. Most of you know that Borrowing Trouble was in part inspired by the passing of my dear friend, Greg Verdusco. I dream of a day when we won’t have to raise money for such a thing anymore. Until then we have a long way to go. I thank you in advance for being such a big part of something so near and dear to me.

    In the interim I’ve been sitting in with my brothers in sin, the Sin City Sinners, here and there. I will be at the Showroom at South Point Casino this Friday night with the lads. These are rare appearances with all five of us, Brent Muscat, Doc Ellis, Zachary Throne, Rob ‘Boom Boom’ Cournoyer and myself appearing for the first time all together for a full two hours. These have been a great deal of fun.

    Since I’ve been home I invited myself over to the Ellises (Doc Ellis and Cian Coey) for tacos (as made by Doc. We call them ‘Doc-os’) and stayed up late making Cian watch KISS Meets The Phantom Of The Park with us. For the uninitiated KISS Meets The Phantom Of The Park is the greatest cinematic experience in the history of film. In the history of man, really… Maybe not. It’s a cheesy movie that KISS made in 1978 that all of us were the perfect age to have loved every second of. So now we watch it with our tongues firmly planted in cheek and basically Mystery Science Theater our way through it savoring every moment.
    If you know it like us you know the quotes- “What’s his trip?”

    “His trip’s a trap”
    “Let’s spring it!”
    Cian, the trooper that she is, endured all 80 minutes of it and laughed at us quoting along with the four lads from NYC.
    I highly recommend and strongly urge against viewing it at the same time. It is our proud guilty pleasure or our guilty pleasure we watch with pride. I’m not sure. It’s a complicated relationship but rewarding just the same.
    Last night Zachary Throne came to my house to borrow a guitar. He came at midnight and stayed till 4am watching old Simpsons DVDs and talking about the great English band Squeeze from the 80s.
    It has been good fun being a Sinner these past few weeks. Hope to see you Friday night if you are in the great city of Las Vegas, Nevada.

    I devoured Paul Stanley’s book, Face The Music:A Life Exposed so we’ve all been on a bit of a KISS kick around here. To be honest a lot of us are kinda always on a KISS kick. It’s a great book. Probably the most telling of all four of the original members. It has a lot of inspiring elements to it about his being deaf in one ear (actually missing his right ear altogether) and those guys having the balls to turn the most seemingly ludicrous vision into an enduring success story for these past 40 plus years and going, The comedian Brian Posehn said it best when he said that if KISS caught you at the right age they had you for life. I’m paraphrasing, of course, but truer words have never been spoken. I always enjoyed the danger of being a KISS fan because not everyone was or is a KISS fan. There are many of us. We’re millions strong (Crazy Crazy Nights) but there were always people who didn’t ‘get it’ and that’s ok. It made it ours. It made it exclusive.

    I love Led Zeppelin but there’s nothing dangerous about liking Led Zeppelin. Everybody loves Led Zeppelin. No one takes a stand and says they love Led Zeppelin. Everybody else in the room would just agree with you.

    Unless your friends are militant punk rockers like some of my friends. They didn’t like anybody. Well, they loved punk rock but found the rest of it bloated and silly. In many ways I don’t necessarily disagree with them.

    I have always felt very fortunate to have found gold in so many different genres. This is why I can talk at length about everything from Slipknot to The Clash to Adam And The Ants. I generally just don’t hear what doesn’t grab me. It’s not that I dislike it. It’s that I just don’t hear it. I have always tried to live by being perfectly ok with liking what I like and that goes for music, film, books and even people. Like what you like and enjoy what you enjoy. Never let anyone tell you you’re wrong. If they don’t get what you like then that’s their problem. The cool thing is if you’re into something you will find a whole community of people who are into it too.

    Anyway, I am trying to enjoy the experience of being in MY house, on MY couch, in MY bed before I am whisked off around the world a gazillion times again. I’m ready. I’ll be honest, I have enjoyed the time off but I’m ready. My viking blood calls to me. Valhalla I am coming!

    Watching-
    Game Of Thrones
    Vikings
    Mad Men
    Bates Motel
    Agents Of S.H.I.E.L.D
    Fargo

    I am an unashamed television addict. I always have been. There is so much garbage on tv that I am thankful to see good writing and good acting in the above shows. Unless, of course, you do not share my love for the above shows and take exception to my referring to Honey Boo Boo as garbage. To each thine own. The spice of life and all that.

    Reading-
    KISS:Nothing To Lose, a bio about, you guessed it, the hottest band in the world, KISS! A Christmas gift that I figured was the best follow up to Paul’s book. I have a library of books to get to but as I mentioned above we’re all on a bit of a KISS kick though, to be fair, I’m one of those people that’s always on a bit of a KISS kick.

    So in closing-
    May 26th Bootleg Confessional : Live In Vegas released at www.pledgemusic.com May 26th Bootleg Confessional : Live In Vegas release show/Borrowing Trouble One Year Anniversary show at Count’s Vamp’d, Las Vegas, Nevada Sinners-Friday SMK&C coming sooooooon!
    Let Rock Rule coming even sooner!

    2014/2015/2016 are going to be amazing.

    See you Friday
    See you May 26th
    See you on Let Rock Rule
    See you OUT THERE!

    Big love
    Your loyal and humble servant,
    Todd Dammit



  • IT NEVER STOPS…AND THAT’S THE WAY I LIKE IT

    April 8th 2014

    I find myself back at Chateau Dammit on MY couch with MY TV after living for a stretch in Orlando, Florida where we finished the new SMK&C album. And WHAT an album.

    I only wish I could tell you in depth how exciting this new collection of songs is but I’m sworn to secrecy. I would have my tongue cut out and be forever hobbled.

    Suffice it to say that it is a powerhouse. I was quoted and requoted (and probably misquoted) in every magazine and website reporting on our in studio activities. I had called the album ‘raw’ and ‘dangerous’ and a little bit ‘sleazy’. Now in its finished state I can tell you that I nailed it right on the head. Am I the Nostradamus of Rock and Roll? Hardly. I just think I only verbalized what we set out to create without anyone actually trying to verbalize it at all. For a starter Slash is renowned for create music of this type and it all trickles down from there. Myles Kennedy, who is one of the kindest and gentlest souls I’ve come across in this cesspool (and I say that with all the love of a Sinner and a Conspirator) of a business, manages to spit actual venom in a couple of instances. The boy can summon a demon or two when the red light goes on. He is a skilled melodist and can weave a rhyme scheme with the best of them.

    I mentioned in the past that I was as concerned as anyone that we would have a tough time crawling over the wall we built called Apocalyptic Love but with that wall so far behind us now I can confidently say we have surpassed it tenfold.

    I will admit to some false modesty on my part. A lot of ‘golly gee I hope we can do as good as last time’ knowing full well that we would decimate anything we had done in the past leaving it all in our wake.

    I went into this new chapter with the utmost confidence that we would achieve that very thing and then some. I knew that we are still hungry and still have things to prove whether to ourselves or otherwise. I believe there is always motivation to outdo what you’ve always done. Otherwise what’s the point of doing it? I knew this going into the new record. If we couldn’t top it what was the point? Challenge met. Dragon slayed.

    ***I just took a moment to listen to the first mix that was JUST sent to me as I was writing and I can tell you it is huge! Now I’m even more excited.

    We spent a couple of months in Los Angeles rehearsing at our rehearsal space in North Hollywood before relocating to NRG Studios about 5 minutes away where we began principal recording. Drums and bass were all captured there. Everything is such a whirlwind now to look back on. It seems like it was over a couple of weeks or a couple of years at the same time.

    There was a brief break where I appeared with the Sinners a couple of times, including a jam with Tracii Guns, then it was off to Orlando to knock this mutha out!

    Orlando is fascinating as it is home to both Disneyworld and Universal Studios creating a bizarro alternative to California which houses DisneyLAND and Universal Studios. On top of that we stayed at the Hard Rock Hotel which, of course, is bizarro reminiscent of Las Vegas’ namesake except there is no casino downstairs at all.

    Adding to the sense of surrealism was the fact that we had landed in Florida – the heart of spring break-Florida style! Your imaginations may have had us wading through hordes of drunken, scantily clad college girls but quite the contrary. Orlando is the home of family fun so we tended to be wading through just that-families. Lots of Bermuda shorts and Hawaiian shirt families having the times of their lives.

    So there’s me floating around the hotel like an anime ghost all in black sticking out like a sore thumb amongst all the garishly vibrant. Then I would wander off to City Walk, Universal’s area of restaurants and retail, 100% failing at blending in. That’s ok. Let me pass on that you should never fit in. Never ever. Be you. You are you. You are not everyone else. Let them be them and you be you! I highly encourage this.

    My days were spent drinking obscene amounts of coffee (what else is new?) and singing along with my brother, Myles. He would sing a song at night and I’d sing the harmonies the next day for that song before Myles came in to sing the next one. And so it went.

    Many people have been asking about the Slash-Real to Reel videos we’ve been shooting from the studio. In Part 2 you can see me and Slash fucking around and Slash nearly spits up his coffee from my shenanigans.

    Well, prepare for the epic tale to be spun here, ladies and gentlemen. Don’t expect anything too ‘epic’ but I shall solve that mystery for you all.

    If you watch that video you can see brother Slash taking a sip of his coffee as I say ‘I’m sorry i was soloing in my head’ and then Slash stands as he is convulsing on his Folgers. Then I cackle like the Wicked Witch of the West!

    And here is what you missed-

    They edited out a part of what was said. We had just listened to a recording of a song and then Elvis, our producer, was explaining this and that about the arrangement to which Slash replied, “I didn’t really notice I was soloing in my head” meaning he was thinking about the solo he was going to play in the solo section of the song.

    That’s when I said “Well, that explains a lot. I’m sorry I was soloing in my head”

    Slash laughed because he is often accused of not listening or being distracted by friends and family. I think this explains it all. He’s always soloing in his head.

    See not that epic a tale. Well, we thought it was funny.

    A lot of people, bless them, have asked if I would be singing a song on this upcoming album. I have to be honest that I never even thought of that. Myles Kennedy is the lead singer for the Conspirators and that’s as much thought as I’ve given it. Myles is the best singer in modern rock if you ask me. He has feel, soul, chops, originality and is unimaginably consistent. Keep in mind he jumps from Alter Bridge to the Conspirators and back again without a hitch. That is very impressive.

    It truly warms my heart that anyone would even ask if I were to sing a song but you can hear me screaming all over this thing. Myles and I have a great chemistry that way. I hope you dig it.

    So just like every other amazing experience this one had to come to an end. Myles went home April 4th and I hung back to sing harmonies on the last song. It is a very special honor to be the last person to perform on the record. It was not lost on me. i savored every moment of it.

    There is a great deal of depth on this recording. A very twisted journey. Many of the songs straight up rock like never before and then there are songs that have a real vastness to them. Slash is playing better than he ever has. It is an inspiring thing to see a man with nothing left to prove still pushing himself every time he picks up the guitar to find new terrain to conquer. And succeed! I think people are going to be blown away.

    So with that I took my leave from the land of fun in the sun and made my way to…the land of fun in the sun…wait! What?

    I’ve been a very fortunate man to have avoided one of the gnarliest winters all over north America. I bounced between Nevada, California and Florida. Not too shabby! I’m not bragging. I grew up in that shit. I feel your pain.

    I spent a few days in Los Angeles dealing with taxes-yuck! Is there anything less fun? I mean probably but yuck right? Good to get that out of the way nonetheless!

    Now I’m back in the great city of Las Vegas getting ready to reunite the Exile On Fremont lineup of the Sin City Sinners this Thursday night at the Palms Casino on West Flamingo. Gonna be a blast! Hope to see you there.

    I would like to take this time to announce a special anniversary show at Vamp’d May 26th-Memorial Day. It will be almost a year since the release of Borrowing Trouble and we’d like to celebrate one last time in Vegas before I get whisked off to do the Aerosmith tour with Slash (more about that in a minute).

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    To commemorate the anniversary of Borrowing Trouble’s release we will be releasing the live album Bootleg Confessional:Live In Vegas as a downloadable album via Pledge Music for a limited time for a steal before it moves on to iTunes etc.

    The album was recorded live September 2nd 2013 at Vamp’d in Vegas and features 17 songs plus guests like Brent Fitz and Frank Sidoris from the Conspirators, Doc and Zach from the Sinners and Cian Coey from Meat Loaf. I’m really proud of it and I hope you enjoy it!

    This May 26th will be a huge blow out of a show as it will be one of the last Vegas acoustic shows for me at least until 2015. I’m hoping to get some friends up on stage again. I’ve been picking my brain to come up with some fun songs to play and for some fun friends to play with!

    So come on out to Count’s Vamp’d in Las Vegas May 26th to celebrate the 1 year anniversary of Borrowing Trouble and the birth of Bootleg Confessional:Live In Vegas. It’s going to be an amazing night.

    The whole ‘Bootleg’ concept to me was a play on the cassette tapes of live shows my friends and I would pass around as kids. KISS bootlegs etc that you knew as well as any of their albums. That was wayyyyyy before the days of downloading so piracy was truly piracy back then. It includes a crazy rendition of Zep’s Stairway To Heaven by me and my co-Conspirators. Check it out.

    So the other big news in our life is the Let Rock Rule tour featuring Aerosmith and Slash Featuring Myles Kennedy and The Conspirators (or as we are affectionately abbreviating these days-SMK&C). I can’t tell you how excited we are to be doing this tour. I mean to springboard out of the recording of this album onto any stage would be exciting enough but to do it in the company of our heroes, Steven, Joe, Brad, Tom and Joey? That is mind boggling. If you would have told me that would be a reality when I was 15 I would never have believed you.

    Earlier today Slash joined Aerosmith at the Whiskey A Go Go on the Sunset Strip to announce the Let Rock Rule tour and it has created a crazy buzz.

    We are all busting. It’s still 2 months away but we are all GOOD TO GO! We’ve been off the road for a while and it’s time to get back out there. My sword is ever sharp and my thirst for battle never satiated. Let’s do this!

    Well, there you have it. Recording finished. Mixing commencing. Sinners on Thursday. Acoustic show May 26th. Live album May 26th. Let Rock Rule tour will be here before you know it!

    Exciting times, brothers and sisters! Exciting times indeed!

    Expect the new single this summer but you didn’t hear that from me ;)

     

    Big Big LOVE to all o’ y’all
    Your loyal and humble servant
    Todd Dammit